Archive for February, 2009


boomerang

Boomerang is one of the enduring black films of the 90s.  On the surface it can be categorized as just ‘another Eddie Murphy movie,’ but really it’s so much more.  The story revolved around a player named Marcus Graham, who gets the tables turned on him.  Most of you probably know the story, so let’s get to the tale of the tape…

Relevance: Directed by House Party’s Reggie Hudlin, here’s a quick rundown of a few members of the cast: Eddie Murphy, Chris Rock, Halle Berry, Martin Lawrence, David Alan Grier, Tisha Campbell, Robin Givens, Grace Jones, Eartha Kitt, Lela Rochon, John Witherspoon…MAN!!!  I know there’s been talk of doing a black ‘Ocean’s 11,’ but I’d argue Boomerang was it!

Legacy:  Take your pick.  Allegedly after House Party and this movie, Martin decided to cast Tisha as Gina for his new sitcom, a little show called Martin.  There’s John Witherspoon taking it to the next level with his ‘coordination.’  There’s Halle Berry officially taking the crown of ‘woman every brother in America wants for a girlfriend/wife’.  (It’s hard to believe now, but there was a time long ago when Halle Berry wasn’t ‘Halle Berry’ yet.)

Craft:  Ahh, this was the ‘Golden Age’ when you were expected to be both technically sound and entertaining as a black film.  Good times.  Still a pretty watchable film today.

Crossover:  Do you remember the soundtrack?  Yeah that’s still a great album: ‘Love Should Have Brought You Home Last Night’ (the introduction of Toni Braxton), ‘Hot Sex’, ‘I’d Die Without You’, and one of the biggest songs ever, ‘End of the Road’ by Boyz II Men.  It’s actually a nice song again now, but if you were around that year and you heard it at least twice an hour for four months straight, it became unbearable.  But it is a nice song.

Apollo:  The Grace Jones perfume commercial?  The perfect feet?  The seduction scene with Eartha Kitt (and her butler)?  Again, with this much talent (comedic and otherwise), take your pick.

Alright, back next month with the next piece.

 

roc

Roc was one of the highlights of Fox’s early days as a network, when much of their programming was built around catering directly to the African-American audience.  Set in Baltimore, the dramedy centered around a hard working garbageman, his wife, and his father and brother as they dealt with day to day life. 

On to the tale of the tape…

Relevance:  I genuinely wonder if a show like this will ever appear on network television again.  A group of Broadway bred black actors led by Charles Dutton, Roc and its storylines would often speak directly to issues that effected the lower middle class portion of the black community.  I genuinely wonder if a show like this will ever appear on network television again.  Did I already say that?  Doesn’t matter, it’s a genuine concern.

Legacy:  To the benefit of this list but the detriment of black television, there are very few if any shows like this on anymore.  And there’s some direct and indirect connections to another Baltimore based show that would appear on the scene later, a little show called The Wire.  SPOILER ALERT: This won’t be the only time The Wire is mentioned in the context of this countdown.  With the training of the actors that appeared regularly on Roc, it’s not much of a stretch to think an Oscar winner came from this show.  But who would have guessed it would be Crazy George (Jamie Foxx)?

Craft:  To take advantage of the stage training of all the principals, the second season was filmed entirely live.  The whole season, not one or two episodes.  That hasn’t happened since.  No surprise, but this was consistently one of the best shows on television during its time, both in content and performance.

Crossover:  Not much honestly.  Cult classic is not even an appropriate term here; you just had to be there.  Black people loved it, but it was always one of the lowest rated shows on.

Apollo:  The nature of the show, especially the live second season, opened the door for a lot of ‘WHAT?’ moments.  As the series progressed, a drug dealing character named Andre surfaced.  While most of the other characters had shades of gray, Andre was bad.  Credit for remembering this goes to a close friend, but just to make sure you know how bad of a guy Andre was, he delivered the immortal line, “I sell drugs to kids!”  I’m not doing it justice here, but he was a bad, bad guy (who eventually chose to reform his ways).

The countdown continues next month…

Water

He may or may not have been the origin of the quote, but I once heard Bruce Lee make this great analogy about water.  It can seep into the smallest of orifices, or it can support the heaviest masses.  At its essence it’s fluid, but in frozen form it can be virtually impenetrable.  It can sustain life as easily as it can destroy it.  So Lee’s advice was simply, “Be like water my friend.”

All for now…

 

oscar1

Hey, did, did someone correctly predict four out of five in the major categories?  (And I said I could see Penelope winning, scroll down.)  Maybe I should think about a career in the movie industry?  No, this year was fairly predictable if you’ve been following awards season.  Anyway, quick thoughts on the show in no particular order…

Thought the change in format was excellent.  Don’t know if you can do this every year, but it was great to be different.

Hugh Jackman’s opening was a nice way to set the mood, but I was hoping they wouldn’t overdo the ‘musical’ thing.  Uh oh…

I think I’ve mentioned this before, but Man on Wire is a really enjoyable documentary if you haven’t seen it.  Don’t let the quirky French cat who balanced the Oscar on his face turn you off to it if you haven’t seen it.

Five past winners welcoming the ‘new kid’ into the club?  Brilliant.  That can stay.

How the hell did they convince Jerry Lewis to keep it short?

The first musical number was the first thing to pull me out of the show.  But Beyonce showing off that thickness in the red piece?  As a great man once said, “Great googly moogly.”

Let’s get these out of the way with one train of thought:  Right as I was daydreaming about how smooth and natural Alicia Keys-Aziz sounds, my ‘Best Man’ had to text me to tell me she was wearing too much makeup.  I don’t know why but they cracked me up.

But in case there was any doubt about who is still the Sexiest and Most Beautiful Black Woman on the Planet, Halle Berry had to show up and remind the young’uns she ain’t giving up her crown anytime soon.

Alright, now back to the show…

I’m a fan of Queen Latifah, but I was a little irritated they had to sing through the In Memoriam part of the show.  Sydney Pollack was a guest in one of my classes once; incredibly down to earth for a guy of his stature.  And Paul Newman, man.  As Dragline said in Cool Hand Luke, “You, my friend, are an original.” 

You probably know I’m a sports fan, which means you probably know I’m a little superstitious.  I was genuinely worried I was bringing bad karma onto Heath for pouting about The Dark Knight not being nominated more in my predictions column.  I was going to watch the film before the show, but held off.  I was more than ready to toss over every piece of furniture in the house if I heard any other name announced.  So to say I was relieved was an understatment.  A year ago, if you would have told me that any non special effects aspect of a Batman film was a lock for an Academy Award, I would have gladly taken it.  Perspective people.  One last time, thank you Heath.

Happy to see Kate Winslet join the club finally.

I got love for Mickey Rourke, but I was delighted to see Sean Penn ‘officially’ hit Icon status with another Academy Award.  Loved the fact DeNiro was up there too; those are the kind of things I geek out over no matter how old I get.

What else needs to be said about Slumdog Millionaire?  However you want to define the term, it really was ‘The Movie of the Year.’

 

Best Picture

 

thereader1_large

Here are the nominees for Best Picture of the Year…

  • The Curious Case of Benjamin Button
  • Frost/Nixon
  • Milk
  • The Reader
  • Slumdog Millionaire

What could happen:  Somebody could look at me with a straight face and tell me how The Dark Knight wasn’t one of the five best films to come out in the past 12 months!  OK, now that I got that off my chest, let’s look at what else could happen.  The Reader and Frost/Nixon; anchored by Academy Award nominated performances, but no real chance of winning the Big One.  Milk?  I loved Penn’s performance and thought the movie was well made overall.  Does the Academy still have guilt over picking Crash over Brokeback Mountain a few years back?  Wait, let me rephrase that, does the Academy have guilt for picking Crash over Brokeback Mountain a few years back?  Honestly don’t know the answer to that one.  Benjamin Button?  I’m not the first one to mention this, but from behind the scenes credits to character archetypes to love/hate relationship, this movie shares a lot in common with Forrest Gump.  But unless I’m mistaken, Forrest Gump kicked Pulp Fiction to the curb, so it wouldn’t be the first time this type of movie won out.  The counter to that argument though, is that an even bigger crowd pleaser has been the front runner throughout awards season, Slumdog Millionaire.

What should happen:  If I had a vote, it’d be going to either Milk or Slumdog.  Film geek that I am, my first question is always, ‘Which picture will still be as watchable in five years, if not longer?’  Since The Dark Knight isn’t nominated (OK, OK, I’m sorry about that.  I’m really done this time) that knocked out the other three films nominated for me personally. The (very good) problem is, I think I could make case for either of the two films left.  For an ‘outsider’ like myself, Milk was both an entertaining and informative introduction to the life of Harvey Milk and a snapshot of the fight for gay rights in California in the 70s (which also turned out to be extremely timely for those of us who watch this play out in the Golden State today).  At the time I saw Slumdog, it was one of those ‘word of mouth’ films that I heard so many good things about I was positive it couldn’t be that good.  When I came out of the theater, the first film that I thought it reminded me of was Singin In the Rain.   Like my favorite musical, it was just one of those simple stories told so well that I was aware almost from frame one how much I was just enjoying myself watching the story play out.  I have no idea how many thousands of movies I’ve watched at this point, but that is beyond rare for me personally.

Who I’m cheering for:  This has been a little bit of a weird season watching who wins what award from what group, but it will be a mild surprise if Slumdog doesn’t complete its frontrunner status and take home Best Picture. 

Well, I guess you know what I’ll be watching Sunday night…

Best Actor

 

langella-nixon1

Here are the nominees for Best Performance by an Actor in a Motion Picture:

  • Richard Jenkins in ‘The Visitor’
  • Frank Langella in ‘Frost/Nixon’
  • Sean Penn in ‘Milk’
  • Brad Pitt in ‘The Curious Case of Benjamin Button’
  • Mickey Rourke in ‘The Wrestler’

What Could Happen:  This is probably, probably a two man race.  Sean Penn has won quite a few awards for his performance as Harvey Milk, and he’s won an Oscar in recent memory (Mystic River, probably my favorite Clint Eastwood film).  In the other corner is Mickey Rourke, this year’s ‘feel good/comeback’ story, for his performance in The Wrestler.  Another performance I enjoyed immensely by the way.  The irony in this category though…

What Should Happen:  is my favorite Lead Actor performance listed here is the one put in by Frank Langella playing Richard Nixon.  Frost/Nixon wasn’t a film I was dying to see, but once I got into it, I was immediately drawn in by Langella’s performance.  He’s already won a Tony for playing the same role, but that shouldn’t take away from how well he transitioned his performance from stage to screen. 

Who I’m Cheering For:  I’m sure I’m one of many who wouldn’t mind seeing a win from Penn, Langella, or Rourke.  Penn proved (again) how he can disappear into a character and make it his own; Langella took one of the most unpopular Presidents in American history, and made him a sympathetic flawed human being; and Rourke famously drew from his own career missteps to portray a past his glory days legend trying to stay relevant in a young man’s game.  If I have to choose among the three, I’ll roll with Penn.  From the outside looking in, the character he played seems the least like ‘Sean Penn’ or the characters I normally associate with him (i.e. super machismo man’s man).

 

 

Best Actress

 

anne-hathaway

Here are the nominees for Best Performance by an Actress in a Motion Picture:

  • Anne Hathaway in “Rachel Getting Married”
  • Angelina Jolie in “Changeling”
  • Melissa Leo in “Frozen River”
  • Meryl Streep in “Doubt”
  • Kate Winslet in “The Reader”

What might happen:  Anything.  I’m not kidding.  Anne Hathaway is clearly establishing herself as the ‘Next Girl’ and her dramatic breakthrough could pull off the upset.  Angelina Jolie, love her or hate her, has one Academy Award already under her belt, so it’s not like it would be her first time on the stage.  Meryl Streep is…Meryl Streep.  This looks like it’s finally Kate Winslet’s year to walk away with the gold man after being nominated so many times.  Or…the four powerhouse names could split the vote four ways, opening the door for Melissa Leo to pull off the shocker.

What should happen:  From a pure performance point of view, I’d say Anne Hathaway was the most impressive.  But more than ever the momentum seems to be swinging the way of Kate Winslet, so look for a repeat of the teary eyed ‘preview’ we got at the Golden Globes.

Who I’m cheering for: I’ve never hidden my ‘mixtape-level’ crush on Kate Winslet.  Anybody who could take Wesley Snipes old “I have to have at least one sex scene in this movie” contract, and add in a “I have to get naked” clause, well hey.  In all seriousness though, her acting chops keep improving (kind of scary), and even though this feels like a Pacino-esque “Lifetime Achievement” Oscar for an inferior performance, I wouldn’t have a problem with it. 

Best Supporting Actor

 

downey

The nominees for Best Performance by an Actor in a Supporting Role are:

  • Josh Brolin in “Milk”
  • Robert Downey Jr. in “Tropic Thunder”
  • Philip Seymour Hoffman in “Doubt”
  • Heath Ledger in “The Dark Knight”
  • Michael Shannon in “Revolutionary Road”

What might happen: (chuckling to myself…)

Who will probably win: Hee hee hee…

Who I’m cheering for: HAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA

 

Best Supporting Actress

 

penelope-vicky_cristina

Here are the nominees for Best Actress in a Supporting Role in a Motion Picture:

  • Amy Adams in ‘Doubt’
  • Penelope Cruz in ‘Vicky Cristina Barcelona’
  • Viola Davis in ‘Doubt’
  • Taraji P. Henson in ‘The Curious Case of Benjamin Button’
  • Marisa Tomei in ‘The Wrestler’

What may happen:  The people who love ‘Doubt’ may split the vote between Viola Davis and Amy Adams, opening the door for one of the other three ladies.  It’s also possible (but less likely) that voters may want a ‘sister’ to win and split votes between Taraji and Viola.  Either way, it doesn’t look good for Viola Davis (who did a hell of a job in a few scenes, worth checking out).

Who will probably win: Hmmmmmm.  This is usually the ‘unpredictable’ category.  I could see a case for Penelope or Taraji, but it would be ‘Oscar-style’ to give Marisa Tomei a second Oscar (to prove the first one wasn’t an ‘accident’ – classic urban legend, look it up if you don’t know what I’m talking about).

Who I’ll be cheering for:  Taraji.  ‘Benjamin Button’ wasn’t my favorite movie this year, but not because I didn’t enjoy Taraji’s performance.  The sister can act man, and she added a lot to what was probably written as a one-note character.  And you know she’d give a hell of a speech if given the chance.

prince_purple_rain

Oh yes!  This one was on and off the list a few times, but in the end it made the cut.  Even though I’m known to be more of a Michael Jackson in his prime fan, Purple Rain still played a very important role in my childhood.  How you ask?  Read on…

Relevance:  Prince and the Revolution vs Morris Day and the Time.  And I understand there were a few songs from this film that still get into the rotation on black radio from time to time…

Legacy:  Again, I’m judging primarily the film, not the album.  I’m tempted to say the film didn’t give us much that’s stood the test of time, until Dave Chappelle and Charlie Murphy opened their mouths.  “Why don’t you purify yourself in the waters of Lake Minnetonka?”  Yes, I’m laughing as I type this…

Craft:  Well, there were two professional actors in Purple Rain (Prince’s parents), and um, it kinda shows.  It’s a definitive 80s movie though, and by all accounts the point of the film was to highlight the talents of Prince, so, high marks for that.

Crossover: Was Prince already an accomplshed musician with hit songs?  Yes of course.  Did Purple Rain take his stature to the next level, permanently?  I would say so.  Fun tidbit I was too young to remember: Prince won the Best Original Song Oscar for Purple Rain.  That’s right folks, on top of everything else, Prince is an Academy Award winner.  Wow.

Apollo: They’ve taken Prince’s Dad away in the ambulance.  It’s dead silent in the Revolution’s dressing room.  It looks like it’s all over.  And right at that rock bottom moment, Morris Day sticks his head in the doorway and says “How’s the family?”  Oh man.  I still get upset just thinking about the Time laughing their way down the hallway!  Even when they cut to Morris and Jerome cheering during Prince’s encore at the end, I was still pissed off!  I couldn’t have been more than 7 or 8 at the time, but I know my lifelong distrust of light skinned brothas AND pretty boys started right at that moment (Prince aside of course).  And if you’re a light skinned pretty boy, I’m just telling you right now you got an uphill battle with me, player!

Alright, I’ve gotten that off my chest.  Another classic ‘player’ movie comes in at #21.  Come back in a couple weeks for that one.

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