Archive for September, 2009


The Informant!

 

informant_1

My sincerity has always been one of my calling cards; so it stands to reason that pathological liars are people I consider to be my polar opposite.  The best movie I’ve ever seen about people like this is still Shattered Glass; but The Informant probably deserves to be in the conversation now.  The film stars Matt Damon as a typical Midwestern middle management type who decides to ‘do the right thing’ and sell his bosses out to the F.B.I. when he realizes they’re involved in price fixing in their industry.  But as a member of the Justice Department asks when the case is nearly closed, ‘Why is he doing this?  What’s in it for him?’

I won’t ruin the various twists and turns of the film for you; it’s well worth watching and enjoying for yourself.  So let me be the 1424th person to ask: is there anything Matt Damon can’t do?  More than once as I watching this, I thought to myself, this is the same cat who plays Jason Bourne, one of the most badass action characters in the movie game right now.  And here he is, playing a complete schlub, being everybit as convincing.  Brad Pitt certainly couldn’t pull it off, I don’t think Clooney could either.  Damon is mastering the Everyman character.

One last note, Steven Soderbergh was one of the directors I (and many others of my generation) looked up to for a long time.  sex, lies and videotape, Traffic, Out of Sight, Ocean’s 11 - that is a career and a half.  He’s kind of made whispers that he might be done with the game; I know about the various struggles Spike has getting his projects off the ground.  These two guys aren’t my age obviously, but they’re not that old.  I throw that out there to say, while we can kind of see the direction the Business is going in, if it forces artists to completely leave, it’s not necessarily a direction for the benefit of the Game.

And now I climb down off my soapbox…

Faith

faith: 2 a (1) : belief and trust in and loyalty to God (2) : belief in the traditional doctrines of a religion b (1) : firm belief in something for which there is no proof (2) : complete trust

Maybe it was due to my own ambition, but I’ve always liked the parable of Jesus being tempted by the Devil. (The 4th Chapter of Matthew or Luke if you’re somehow unfamiliar).  Satan comes to Jesus during his fast and tests his faith in multiple ways.  Christ reaffirms his faith in God through each test, until Satan leaves him be.

During Ramadan, I was approached with an offer that could have solved a lot of problems, short term.  There was the excitement of possibility, but there was also something in my gut that felt unsure.  It was one of those rare times recently where I was glad I didn’t have to come home and explain to somebody why I would pass on an opportunity.  I talked to personal friends, professional associates, financial consultants, legal counselors, everyone had an opinion of course.  I prayed for guidance, and ultimately (maybe) walked away from a good opportunity. 

Now I feel things short term are about to get worse.  Again, just a gut feeling.  For a little while, my faith may be all I have to lean on.  I’ve often told friends that it’s important to remember the past but not dwell on it; well now I have to practice what I preach.  In the meantime, I’ll meditate for the peace of mind that’s a little out of reach at the moment…

 

Sura 1, the Holy Qu’ran:

In the Name of God, the Compassionate, the Merciful

Praise be to God, Lord of the worlds!
The compassionate, the merciful!
King on the day of reckoning!
Thee only do we worship, and to Thee do we cry for help.
Guide Thou us on the straight path,2
The path of those to whom Thou hast been gracious;— with whom thou art not angry, and who go not astray.3

Islam teaches that everything is written.  Even if you are not a Muslim, I’m certain you have heard this expressed before.  No, really you have…

Neo: Well, that didn’t go so well.
Morpheus: Are you Certain the Oracle didn’t say anything else?
Neo: Yes.
Trinity: Maybe we did something wrong.
Neo: Or didn’t do something.
Morpheus: No, what happened, happened and couldn’t have happened any other way.
Neo: How do you know?
Morpheus: We are still alive.

As always, I’ll try to start at the beginning…

In one regard, I was like almost any other black kid in that I wanted to be like Mike.  But on the other hand, I was different from the beginning.  I was taking notes, even at 6.  I sing in my natural tenor now, but you better believe when I was a kid it was all falsetto.  Most of these tapes are long since destroyed, but I would write songs and dance in videos with my sister and my younger cousins.  The way Mike carried himself was appealing to me for many years; soft-spoken off stage, full throttle on it.  The first time I heard the gay rumors about him, it didn’t change the way I looked at him.  Even if he was, so what?  It wasn’t until later that I was ‘educated’ into all the professional and social stigmas that came with being gay.   But for awhile, he was just a private guy.  Of course, when those ‘rumors’ turned into something WAY more criminal and sinister, like everyone else I had to pull back some.  Mike didn’t check it, which was a lesson (for me) in terms of drawing the line between being a private person, and being reclusive to the point of it being detrimental to your image.

As a teenager, my introduction to self respect and having a social agenda came through idolizing Malcolm X.  In the mid to late 90s, when Public Enemy was peaking, and everybody had their Cross Colours and at least one black X cap, it was a good time to be proud to be black.  I became the extreme of that movement. 

“We had the greatest organization in the world, and niggas ruined it.”

Malcolm spent most of his ministry pushing other people’s agendas.  Once he moved on and started pushing his own agenda though, they killed him.  They killed him in front of his pregnant wife and their children.  It was an extreme case of what can happen when people go their separate ways, but…it still happened.  Again, it was an important life lesson that I had to digest: if you spend your life as a follower, sure life is a lot easier.  But in any given situation, if you choose to disturb the status quo, well, then you better be ready to pay the price. 

It’s not a bad thing when your idealism fades away, it happens to everyone I think.  For me, I started to become disillusioned in college.  I still have a mind for what works and what won’t work, but I clearly started caring less and less about being viewed as a ‘black leader’.  Or more specifically, if there were 25 of us (arbitrary number) that had ideas about what was best for the black community, there were 25 different motives and agendas at work.  And the religious thing started to play a bigger factor, there’s no doubt about that…

I don’t want to be a product of my environment. I want my environment to be a product of me. Years ago we had the church. That was only a way of saying – we had each other. The Knights of Columbus were real head-breakers; true guineas. They took over their piece of the city. Twenty years after an Irishman couldn’t get a fucking job, we had the presidency. May he rest in peace. That’s what the niggers don’t realize. If I got one thing against the black chappies, it’s this – no one gives it to you. You have to take it.

Frank Costello, The Departed

My girlfriend at the time woke me up on 9/11.  My time as a completely self centered individual lasted all of two years.  I didn’t completely recognize it then, but my Path began on that day.  Black people have a long running joke; when we turn on the news and hear “Police are looking for a suspect,” we pray it’s not one of us.  Well, Muslims who never understood that joke understood it after 9/11.  The bullseye was firmly placed on our backs.  It was very tense for awhile, but things have returned to normal.  But what is normal?  Is that the same thing as good?  I say no.  There’s still a stigma attached to the Muslim community.

The fundamentalists on both sides (or as I like to call them, the vocal minority) would like you to believe that being American and Muslim are mutually exclusive.  Basic knowledge of law tells you this is false.  Knowing the history of this country as I do, I see a lot of similarities to, for lack of a better term, ‘pledging’.

As Jack’s quote implies, the Irish came here and were told they didn’t belong.  They maintained the ties to their own culture and through Irish-Americans eventually blended their culture into America.  The Italians went through a similar process, as did the Jews, and the Japanese.  Now of course Italian-Americans, Jewish Americans, and Asian Americans have their own stigmas to deal with but rarely (if ever) does anyone question their loyalty to this country anymore.  (I’m deliberately not including African-Americans in this analogy.  Our ‘immigration’ to this country was different, and it all starts there.)  Anyway, the blueprint for Muslim-Americans has been laid out I feel; we have to take it and run with it.

All of this brings me to the past 12 months…

To the pleasant surprise of nearly everyone I knew, a black man was elected President of the United States of America.  I don’t think there are words to describe what that meant to myself, my parents, nearly every black person I know.  Every poll and every update and every line of voters around the block indicated that it was going to happen.  But we wouldn’t accept it until CNN put “President-Elect Obama” on the screen.  We wouldn’t accept it until we saw the First Family come out to the massive ovation at Grant Park.  If I was ever asked by one of my non-black friends to describe the black experience, those final moments before it became official captured everything: we’ve been beaten, shot, stabbed, raped, disrespected, lynched, scapegoated in every way imaginable.  And yet, we still have an optimism that things will work out.  And once in a while they do work out.

Obama’s rise has inspired a new generation of young black men and women to take on an active role in their community. The honeymoon is officially over, and the attacks on the President have begun.  It’s getting pretty heated on both sides.   I still remember the days when it felt like I was the only one who really cared about the future of my race.  Now we have a black President and I’m content to watch from the sidelines how this all plays out.  How ironic is that?

After attending Michael Jackson’s memorial, I actively avoided his music for a week.  Then of course, I couldn’t avoid it; it was in my IPod, I’d get sent new links, I’d turn on the radio every day and somebody would be playing his music.  And quickly the joy came back to me.  All these years later, I still start beaming, and depending on where I’m at and who I’m with, I’ll get up and start singing and dancing.  Michael’s life (and death) gave me pause to look at my other passions.  What else still brings me joy and what doesn’t.  What have I lost my passion for, and what still gets me hyped.  Earlier this year I began to pray for peace of mind in my personal life. Little by little, my faith has tied itself now into the areas of my life where I had previously created walls…

Right before Ramadan began, I made the decision to retire from the writing and directing game.  I’ve given each craft ten years since I’ve finished school.  Of course, I’ll continue to develop the projects I’ve already committed to.  But I have not broken enough ground to build a career on.  The only passion I haven’t dedicated myself to fully yet is acting.  In that same ten year span I’ve graduated from cameos to leading parts in films; I’ve made one appearance on national television, with the second one around the corner.  I have to find out how far I can carry this when it gets my full focus and attention.  The sum of my experiences, living in the smallest cities and the big metropolis; learning all aspects of filmmaking from an artistic and business point of view, having an interest in the history of my own culture and the cultures of others, has given me a preparation more ideal than anything I could have ever planned.  Everything is written.

Moreso than in years past, Ramadan this year has been an experience that I’ll always remember.

I pulled myself out of my regular social routine.  No lunches meant I had my annual 10 pound weight loss, but it went a lot deeper this year.  I missed weddings, I missed birthday parties, I haven’t been to the movie theatre or the gym in a month, I missed the SC home opener.  In place of my usual socializing, I spent more time fellowshipping with my fellow Muslims.  They’ve had me to their homes for iftar, I’ve listened to political discussions that reflect my own concerns, I’ve listened to young brothers and sisters express their dreams for the future; with the generous help of brothers from the masjid, I’ve started studying Arabic for the first time since I learned my prayers many years ago.  I was getting ‘Soul Food’; it was a connection to my teenage lifestyle that I had lost a lot of in the years since.  And it was something I realized had been sorely missing from my routine. 

When I went in and auditioned for my professional mentor, I had to choose a monologue to perform.  I combed through decades of speeches I liked, but I chose Luke’s final speech in Cool Hand Luke; in retrospect the irony of that choice makes me laugh out loud for how close to home the lines are:

Luke: Anybody here? Hey, Old Man. You home tonight? Can You spare a minute. It’s about time we had a little talk. I know I’m a pretty evil fellow… killed people in the war and got drunk… and chewed up municipal property and the like. I know I got no call to ask for much… but even so, You’ve got to admit You ain’t dealt me no cards in a long time. It’s beginning to look like You got things fixed so I can’t never win out. Inside, outside, all of them… rules and regulations and bosses. You made me like I am. Now just where am I supposed to fit in? Old Man, I gotta tell You. I started out pretty strong and fast. But it’s beginning to get to me. When does it end? What do You got in mind for me? What do I do now? Right. All right.
[Gets on knees, closes eyes and begins to pray]
Luke: . On my knees, asking.
[Peeks up with one eye, waits. Then opens eyes and crosses arms]
Luke: . Yeah, that’s what I thought. I guess I’m pretty tough to deal with, huh? A hard case.
[Clicks tongue]
Luke: . Yeah. I guess I gotta find my own way.
[Headlights shine through windows, backs up]
Dragline: Luke?
Luke: [Shakes head and smiles] Is that Your answer, Old Man? I guess You’re a hard case, too.

As a Muslim-American, I feel the sense of responsibility that I once felt exclusively as an African-American.  I have pledged to leave the Ummah in a better position that it was when in when I joined it.  The Muslim community is every bit as diverse as everyone else; but it’s clear to me now that we only know that from the inside.  To the mainstream, Muslims are treated right now the way that the Russians were when I was a kid: America’s quiet, faceless enemy.  A perfect example that you may not see; Every news story about a Muslim sister who feels uncomfortable wearing a hijab (headscarf) in public for fear of being threatened.  This sister could be my wife; in a few years this could be my daughter.  My life as a black man has made me well aware that the culture of prejudice will always exist; but that does not mean I have to accept it.  And it certainly doesn’t mean I plan on doing nothing about it.  I’ve said it before and I’ll say it again, I’m not a preacher.  I could refer you to 100 brothers and sisters who are much more qualified than me to quote Scriptures and Hadith; who could break down for you the difference between what’s in the Qu’ran and what are in fact, cultural traditions that are mistaken for Islam (sometimes purposefully, sometimes not).  When Dave Chappelle came out and said he was a Muslim but didn’t want people to use him as ‘the example’ for what a Muslim was, I completely understood how he felt.  That was essentially my own feelings for most of my life.  But I feel now, this is an essential part of my Calling.  If, through my positive attitude, through my silliness, through my karma; if through whatever light I can draw to myself, ‘Malik Aziz’ can inspire or otherwise make life more tolerable for a single Muslim in America, if I can show a single non-Muslim that we are not all terrorists, that we are not all sexist, and that, as in my case, we are as American as apple pie, then I’ve reached the point of my life where I can accept the slings and arrows, the backstabbing and the lies, and whatever other type of negativity that will be thrown at me for spreading my Message as far and as wide as I can spread it.  And if I can affect more than one person, well, the more the merrier…  

If you know me, you know I love my quotes.  Movie quotes, Batman quotes, historical quotes.  Stepping out of the background and into the spotlight, I wanted something new to define my Mission, my life’s work.  As is usually the case, my quote found me: I saw it in a comic book I was reading and instantly identified it as something that defined my own karma:

1st Book of Corinthians, 13th Chapter:

Love

 1If I speak in the tongues[a] of men and of angels, but have not love, I am only a resounding gong or a clanging cymbal. 2If I have the gift of prophecy and can fathom all mysteries and all knowledge, and if I have a faith that can move mountains, but have not love, I am nothing. 3If I give all I possess to the poor and surrender my body to the flames,[b] but have not love, I gain nothing.

 4Love is patient, love is kind. It does not envy, it does not boast, it is not proud. 5It is not rude, it is not self-seeking, it is not easily angered, it keeps no record of wrongs. 6Love does not delight in evil but rejoices with the truth. 7It always protects, always trusts, always hopes, always perseveres.

 8Love never fails. But where there are prophecies, they will cease; where there are tongues, they will be stilled; where there is knowledge, it will pass away. 9For we know in part and we prophesy in part, 10but when perfection comes, the imperfect disappears. 11When I was a child, I talked like a child, I thought like a child, I reasoned like a child. When I became a man, I put childish ways behind me. 12Now we see but a poor reflection as in a mirror; then we shall see face to face. Now I know in part; then I shall know fully, even as I am fully known.

 13And now these three remain: faith, hope and love. But the greatest of these is love.

 

lensontalent

Today was an eventful day to say the least.  Lady In My Life will be featured as part of the Lens On Talent series that airs on BETJ.  I’ll post more details as they come to me, but you can imagine my excitement (as well as those of close family and friends who I called to share in the news.)

Once again, thanks to all the cast and crew, and now as this short continues to find its audience I have to say thank you to all those who’ve seen it, heard about it or myself as an actor and filmmaker, and spread good word of mouth to others.  You never know who is listening and watching.

This should be fun.  More later…

differentworld

Spun off from The Cosby Show, A Different World began as a sitcom about Denise Huxtable (Lisa Bonet) going off to college, then quickly evolved into a show about all the characters (and issues) that went down at fictional HBCU Hillman College.  As critically acclaimed as it was popular, A Different World was nearly as popular as the show it was spun off of.

On to the tale of the tape…

Relevance: I will go out on a limb and say this will be the only network television show ever that will be take place at a Historically Black College or University.  When the show debuted, future Academy Award winner Marisa Tomei was part of the cast as Denise’s roommate Maggie, but once Debbie Allen (an HBCU grad) took charge, one of her first moves was to replace the white roommate with a pair of black roomies.  Hard to say it wasn’t authentic.

Legacy:  There is statistical evidence that enrollment in HBCUs went up while this program was on the air.  Beyond that, the number of names who passed through Hillman for an episode or a season is a who’s who of 90s black culture (Sinbad, Jada Pinkett, Tupac, Jesse Jackson to name a few).

Craft:  Over the course of the show’s run, A Different World was always very good for hitting us with the ‘A Very Special Episode’ at least once a season.  Whether it was Jesse Jackson’s visit, the date rape episode, the domestic violence episode, or any of the numerous episodes that dealt directly or indirectly with race and class, A Different World was able to tackle issues that were probably very important to Dr. Cosby, but would have felt ‘forced’ or otherwise inauthentic in an episode of The Cosby Show.

Crossover:  Thanks to its incredible lead in program, A Different World was always respected by the mainstream, even if it didn’t receive the same amount of overwhelming praise.  It’s hard to call it a crossover smash, but to have the run it had on NBC; it’s hard to imagine another show with a such a pronounced African-American backdrop getting that kind of play (sadly).

Apollo:  I think the entire Whitley-Dwayne Wayne relationship was kind of an Apollo moment.  I actually remember watching with my mother the episode where Whitley was about to marry that well to do, pretty boy brotha, but Dwayne came to the wedding and was getting dragged out when he begged Whitley to marry him (and he said yes).  This isn’t the space to get on a soapbox about the whole ‘new money’ vs. ‘legacy’ kid thing that plays out inside the black community, but I think every black kid gets fully introduced to that (as I did) in college, whether you went to an HBCU or not.

#9 is another landmark show of the 90s; come back later to find out what that is…

richard_pryor_live_on_sunset_strip

Richard Pryor is universally recognized as the black comedian who set the stage for the onslaught of African-American stand ups who followed him in the 80s, 90s, and present day.  An argument can be made that there are funnier stand up films by some of the comedians that came after him, but Richard Pryor Live on the Sunset Strip set the standard for almost every black comic stand up film that came after it.

On to the tale of the tape…

Relevance:  While he certainly wasn’t the ‘first’ (Redd Foxx also comes to mind as someone who made a dent in the mainstream), Richard Pryor is held in such high praise by comedians and entertainers alike that it’s hard to imagine someone hitting that level of reverence today, working mostly as a standup.    You don’t need to have an eagle eye to spot a young Jesse Jackson in the crowd during this show, so um, Rich was at the heart of the community to say the least…

Legacy:  Wow.  Where to begin?  On a superficial level, it’s probably not a coincidence that in his first big stand up film Delirious, Eddie Murphy rocks a bright red leather suit that mimics that bright red suit Rich wore in this film.  The way Rich prowls the stage when he delivers his jokes, it’s easy to see Chris Rock mimicing his movements.  Rich’s confession that he’ll stop using the N-word to tear down his people has echoes of the reason Chappelle said he quit his own mega popular show.  Rich’s comedic telling of his nearly life ending episode is definitely reminiscent of Martin talking about his notorious mental breakdown in his own stand up film.  And how about the whole going back to Africa bit that Jamie all but stole word for word for his best standup special from back in the day (though I’ll be the first to admit that bit is still hilarious)?  Safe to say, every black comedian worth his salt watched this film more than once…

Craft:  I make no claims to be a comedian, but watching this film you really appreciate how many different types of comedy Richard Pryor did really, really well.  There’s the straight silliness/the storyteller (the animals in the jungle), the black comedian (the bit about brothers in the pen), and the self-deprecating (the whole bit about lighting himself on fire).  Even the comedians of my generation can usually only master one or two of these skill sets.  Richard Pryor really was the Man.

Crossover:  It wasn’t just black people who loved Richard Pryor of course.  Sequences like his story about working for the Mafia illustrate how Rich’s comedy went well, well past being just a black thing.  He was just one really, really funny motherf—–.

Apollo:  

An all time classic comes in next at #9.  But now that we’re in the top 10 that wasn’t much of a hint was it?  Guess you’ll have to come back later to check it out…

 

mabff

For those of you on the East Coast (specifically the VA/DC area), Lady In My Life will be screening this weekend as part of the Mid Atlantic Black Film Festival.  Visit mabff.org for more details.

(Special thanks to Ralph Scott and company for considering the film.)

wtexhale

Based on the hugely popular novel by Terry McMillan, Waiting to Exhale follows four professional black women as they navigate the trials and tribulations of the love game.  Like the book and the film itself, this choice (this high) might rile some of you up, but I’m just the messenger folks.

On to the tale of the tape…

Relevance:  Can’t possibly get more relevant than a movie starring four black women with a brother behind the camera (Forrest Whitaker).  You add in the fact this novel was written by a sister, and the better question is how much more relevant could it be?

Legacy:  Let me throw this out there.  One of the ‘shockers’ from a Hollywood point of view was seeing black women turn out in force at the movie theater to see a film that reflected their lives.  We can debate if Hollywood figured that out, but has anyone else noticed that there’s a brother based out of Atlanta who also recognized this formula, (with a little more overt use of religion thrown in), and he’s done quite well for himself.  What was his name again?

Craft:  We can debate the overall effect of the movie, but as a film, you know what?  It’s not bad, it really isn’t.  Essentially an ensemble film, each of the four major characters has their ‘moment’ in the film, each has a clear story arc.  Is it as good as the book?  No, but how often is any movie adaptation as good as the book?

Crossover:  Eh, debatable.  The movie that is.  The soundtrack to the film, with songs by Whitney and Mary J. Blige, was a smash hit though.  And this film certainly didn’t hurt the career arc of Angela Bassett now did it?

Apollo:  I’ll have to tie personal experience into this category.  I did see this movie in the theater.  I was with three of my fellow KC natives, the summer after our freshmen year of college.  We all had dates lined up, and not even kidding, we all got stood up.  So we were four blue-balled teenage brothers up in Ward Parkway theatre with a sold out theatre of black women screaming at the screen every 20 minutes.  That story just gets funnier over the years but it’s completely true.  Pretty much every Apollo moment from the movie (Bassett burning homeboy’s clothes, Whitney’s bad sex experience) just made the film harder for me to sit through.  I don’t hold that against the film, just one of those memories.  Hearing somebody talking about ‘exhaling’ still makes me cringe a little…

The top 10 black films kick off later this month…

key_art_saturday_night_live

Probably the most controversial choice of the television side of the countdown, Saturday Night Live has ran for over 30 years and has more than earned its reputation as one of America’s top comedic showcases.  Created by Lorne Michaels, the show itself is not African-American by definition, but there is usually one black castmember every season.  And at least two of those castmembers…

On to the tale of the tape…

Relevance:  The show itself is not African-American in the traditional sense.  But because of its primetime NBC timeslot, SNL‘s reach gives it a much larger audience when it does do something with a racial undertone.  The first (and debatably most notorious) of these sketches took place when Richard Pryor was the guest host in one of the show’s first seasons.  Doing a job interview sketch with Chevy Chase, a game of word association quickly devolved into…well, go look it up if you’ve never seen it.

Legacy:  While Garrett Morris preceded him, few would argue that there was ever a more perfect storm than the emergence of teenage Eddie Murphy with the post-Belushi/Aykroyd SNL.  Mr. Robinson’s Neighborhood, James Brown’s Celebrity Hot Tub, and of course Buckwheat…no single castmember, black or white, has ever done as much with that spotlight as Eddie.  But there have been others…

Craft:  Those who have tried it well tell you comedy is extremely hard to pull off (go and try to make everyone in your office laugh at the same joke if you disagree on this point).  A major reason SNL endures over time is in its ability to find the right comic notes with the present generation.  There’s always going to be juvenile humor since the show caters to a younger audience, but every once in a while (i.e. Sarah Palin), the jokes will have some teeth.  One lost but not quite forgotten skit was ‘The OverActing Negro Ensemble’, where Sinbad, Tim Meadows, Ellen Cleghorne and Chris Rock basically took every scene chewing move that black actors and writers use and threw it into a 2 minute skit.  Probably went over most people’s heads, but if you got the joke it was hilarious.

Crossover:  Um, yes.  I would even argue part of the humor of ‘Dick in a Box’ and “Lazy Sunday” is in seeing (square) white guys doing ‘black’ music.

Apollo: 

http://www.nbc.com/assets/video/widget/widget.html?vid=278716

The top 10 begins later this month…

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