Inglorious Basterds
This one’s been out for a minute, but with the Oscars next weekend I made a point to check out Inglorious Basterds tonight. I’m not a Tarantino fanboy, but as a film fanatic that man’s craftmanship cannot be denied. The two Kill Bill movies are still two of my favorites of the past ten years. I’ve heard a few references to Basterds being Tarantino’s best film…I don’t know about that, but it might be his definitive film.
Like I said, not a fanboy, but one thing I’ll give the man is that he’s created his own motifs over his career that you recognize no matter what story he’s telling: Samuel L. Jackson cameo, feet closeups, a cringe-worthy use of the word n!gger (spoken by Joseph Goebbels no less!), and fantastic, fantastic dialogue sequences. As flat out silly as this film is in premise (is there such a thing as Jewspoitation?), there are some great scenes of dramatic tension and throwaway dialogue that will (sadly) inspire more copycats and second rate storytellers who will try to mimic his style moreso than create their own.
Christoph Waltz was fantastic. He looks to be the favorite to win the Best Supporting Actor Oscar, and he wouldn’t be the most unworthy winner. Not that I expect him to be anything like the character he played, but he certainly made playing the Nazi looked like fun! I think Tarantino knows this isn’t his year as far as Best Director or Best Picture goes, but give the devil his due, when people complain there aren’t enough ‘entertaining’ movies being made these days, you certainly can’t blame him, can you?
Michael Jackson’s This Is It
So last year when I first heard about this film, I made the gut decision I wasn’t going to see it. I was at the NAACP Image Award nominated memorial service, and as I wrote at the time, to be there was as draining for me emotionally as anything I could imagine. I understood the business behind releasing the documentary (promoters making back their money, ‘one last glimpse’ for the conspiracy theorists and the diehards like myself) but no film could top what I experienced that day in Staples.
Then I started to hear about how good This Is It was on its own terms. My mother and sister first; “You haven’t seen it?!?” Then various friends who know my lifelong admiration of Michael; “You haven’t seen it?” Then my homegirl who went to the memorial with me; “You haven’t seen it?” Then people who I know for a fact didn’t have nothing but jokes about Mike for the last 20 years; “You haven’t seen it?” Then the homeless cat who sleeps at the park where I run on the weekends; “You haven’t seen it?!?” HOW IS THAT EVEN POSSIBLE?!? I digress…
Since at this point I’ll assume that yes, you HAVE seen it, I’ll just give you some of my thoughts in bullet point form as I watched it…
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For those of you who get on me about not eating enough (and you know who you are), I look like Fat Bastard compared to Mike in this movie. I know the man was never known to hit the gym, but my goodness he was skinny. He sure seemed healthy enough throughout the rehearsals though didn’t he?
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Along those lines, it’s ironic that in the past few weeks I’ve had stepshows on my brain from my college days. I say that to say, I know when you’re gearing up for a show in front of a live audience, you’re pretty much going half-speed all the way up until the week/day before the big show. So seeing rough cuts of various songs/sequences didn’t throw me off as much as some people who might have been expecting more. Frankly, Mike at half speed would still get my money before damn near everybody else right now who’s touring live.
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Maybe it’s because I didn’t hear him sing it as an adult alot, if ever, but the half speed version of “I’ll Be There” still had my hairs standing up. I don’t know if I wanted to see that full production number; that was clearly set up to be a show-stopper.
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The editor deserves a little credit on this one, but I’m seriously starting to doubt if there will ever be a song that guarantees an “Awwwww shyt!” more than the intro to Billie Jean, especially when you don’t see it coming.
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Seeing 50 year old Mike go through the motions of Beat It and Thriller put a smile on my face, I couldn’t help it but rewind the Blu-Ray, get up, and dance along with Mike in my living room.
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I heard Prince told Mike once that if he really wanted to throw down on a comeback tour, he should do a straight accoustic set to remind people how good of a vocalist he was. Even though he complained about it after the fact, I know I wasn’t the only one who could, as my Captain would say, ‘feel the moistness’ when Mike freestyled a little at the end of “I Just Can’t Stop Loving You”. I think I went psychically deaf for a few minutes.
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Finally, more than a few times as they were going through it, you could clearly see Mike smiling and enjoying himself. In retrospect, I think that’s what I was looking for. For all the damage both self-inflicted and done by others to this man, did this cat that I borderline worshipped for so many years actually enjoy his gift as much as we did? Or was he more like a Brando who always seemed to have a borderline contempt for his own extraordinary talents? Without getting into all of Mike’s issues (which would take all week), I think on the most basic level he enjoyed what he could do.
Again, it’s funny to watch it now, completely separated from all the hoopla. At the moment (right after watching the film) I’m sad he’s gone again. But I will admit I stand corrected, for all of you who told me I had to see this movie as a Michael Jackson fanatic, you were right. I’m glad I changed my mind and finally got around to watching it.
I Love L.A. – #4 Sunset Boulevard
Last week I had to drop off some CDs to a friend of mine who lives in Brentwood. Rush hour traffic on the 405…yeah. So I took the scenic route home, traveling on Sunset Boulevard through Hollywood. Traveling east, you pass by two of the three things I’ve already written about in this space: Arclight Hollywood and one of the many In & Out chains. But that’s just the tip of the iceberg…
Even at night, the palm trees and curvy roads of Bel-Air and the entrance to the UCLA campus stick out. Being one of many artists here, I have a few friends who have chosen the stand up comedy route. And on occassion I’ve caught them at the Laugh Factory, or the Comedy Store, or one of several other comedy spots that dot the Strip. Ahhh yes, the Strip. It was one of those ‘must be done’ spots when I first came here a decade ago; it was a rite of passage whenever a new bachelor friend came to town that we’d pack in the car, open the sunroof and windows, and ‘enjoy the scenery’ as it were. And yes, we were doing it way before it became part of the opening credits of Entourage.
The House of Blues followed by a late night/early morning trip to IHOP would echo a few of the long nights of my own college days; the Sunset Blvd. IHOP is famous/infamous for its own reasons though. A throwback to the seedier days of Hollywood and Sunset before it became a full blown tourist attraction. The action doesn’t always go down in the late hours of the night though. There’s Harmony Gold, where we screened more than a few films during the school days, and still gets a visit every now and again for a screening. There’s a bar that I don’t think is there anymore (big surprise; on Sunset Blvd. when one bar closes down another opens a few weeks later). Anyway this bar was the first place I remember going to watch Laker games with the ‘in’ crowd. I won’t put my friend on blast, but I remember walking in there for the first time just to see him surrounded by girls, looking like the King of the City. And my thought was, “OK…I’m really not in Kansas anymore.” (I know, that was a terrible pun but it was my thought.)
The film geek in me won’t let me finish this entry without noting that one of the first (and still the best) movies about ‘Hollywood’ good and bad is named Sunset Boulevard. Sex, murder, celebrity, desperation, glamour, image…
Some things never change, do they?
Queen City Represent!
For those of you in the Charlotte/Durham, North Carolina area, Lady In My Life will be screening at 2:30 and 7:30 Saturday as part of the Hayti Heritage Film Festival. You can visit www.hayti.org for more information and ticket prices. We’re always proud and flattered when someone screens our labor of love, for me personally I’m honored when groups and organizations that have a social subtext take an interest in my work.
Thank you to St. Joseph’s Historic Foundation Inc.; to everyone, enjoy your weekend!
I Love L.A. – #3 Arclight Cinemas
In a company town like this, there is no shortage of screens to see films, old and new. I get out to the Landmark once in a while, the Grove is still nice just because of the shopping center that surrounds it. From a purely film geek, filmgoer experience, I will always have a soft spot for the Arclight. It was one of the first theatres to offer reserved seating (meaning almost no more last minute runs or someone sitting where you wanted to sit arguments); the Hollywood location is fairly centrally located (Sunset and Vine) which has led to many wistful Friday and Saturday evenings pondering how the hands of fate had conspired to place me in the position I was in. The Cinerama Dome has a history of its own, which I won’t fully go into here. But that location has hosted and continues to host its share of premieres and special events.
I caught at the Arclight the re-issued versions of The Godfather and The Godfather Part II (still the only time I’ve seen the two classics on the big screen). I was in the midnight screening of The Dark Knight there; even watching at home doesn’t duplicate the initial chills from watching the opening logo sequence in a completely full auditorium that’s hushed in revered silence. I was also in the midnight screening of Iron Man, where before the lights went down, Robert Downey Jr. himself thanked the crowd for coming out (and putting him back on the A-list). Only in Hollywood right?
Well…yeah.
Crazy Heart
Crazy Heart tells the story of an alcoholic, washed up country singer who is inspired to try for one last chance at redemption. In the lead role, Jeff Bridges comes off as more than believable in the lead role of the singer whose real name we only hear briefly in the third act. As me and my friend joked on the way out, you almost forget that he’s the son of a Hollywood legend in his own right (and not somebody who grew up in Texas or Oklahoma). Almost. As far as Maggie Gyllenhall goes, this is the perfect type of role for her. I was pleasantly surprised to find out when I got home that she’s also nominated for her performance in this movie. Well deserved.
As far as the film itself, it takes me back to the 70s in terms of the style of filmmaking. A first time writer and director probably helps; I couldn’t help but smile to see Robert Duvall prominently involved, both in a supporting role in the film, as well as being one of the producers. There’s another star in this movie who’s not advertised in the promos; he’s a good actor but feels miscast in this film; I won’t ruin it for you if you haven’t seen it. Like Duvall, he also only appears in a few scenes. But this is Bridges’ movie. He won the Golden Globe for his performance; if he takes home the Oscar too, it won’t be surprising.
Pretty Young Thing (P.Y.T.)
(You know, you uh, you make me feel so good inside…
I’ve always wanted a girl just like you, such a P.Y.T., Pretty Young Thing – Oooh!)
Where Did You Come From Lady
And Ooh Won’t You Take Me There
Right Away Won’t You Baby
Tender roni You’ve Got To Be
Spark My Nature
Sugar Fly With Me
Don’t You Know Now
Is The Perfect Time
We Can Make It Right
Hit The City Lights
Then Tonight Ease The Lovin’ Pain
Let Me Take You To The Max[Chorus]
I Want To Love You (P.Y.T.)
Pretty Young Thing
You Need Some Lovin’ (T.L.C.)
Tender Lovin’ Care
And I’ll Take You There
I Want To Love You (P.Y.T.)
Pretty Young Thing
You Need Some Lovin’ (T.L.C.)
Tender Lovin’ Care
I’ll Shake You There[Background]
Anywhere You Wanna Go[2nd Verse]
Nothin’ Can Stop This Burnin’
Desire To Be With You
Gotta Get To You Baby
Won’t You Come, It’s Emergency
Cool My Fire Yearnin’
Honey, Come Set Me Free
Don’t You Know Now Is The Perfect Time
We Can Dim The Lights
Just To Make It Right
In The Night
Hit The Lovin’ Spot
I’ll Give You All That I’ve Got[Chorus]
I Want To Love You (P.Y.T.)
Pretty Young Thing
You Need Some Lovin’ (T.L.C.)
Tender Lovin’ Care
And I’ll Take You There
I Want To Love You (P.Y.T.)
Pretty Young Thing
You Need Some Lovin’ (T.L.C.)
Tender Lovin’ Care
I’ll Take You ThereBreakdown
Pretty Young Things, Repeat After Me
[Michael] I Said Na Na Na
[P.Y.T.'S] Na Na Na
[Michael] Na Na Na Na
[P.Y.T.'S] Na Na Na Na
[Michael] Na Na Na
[P.Y.T.'S] Na Na Na
[Michael] I Said Na Na Na Na Na
[P.Y.T.'S] Na Na Na Na Na
[Michael] I’ll Take You There[Chorus]
I Want To Love You (P.Y.T.)
Pretty Young Thing
You Need Some Lovin’ (T.L.C.)
Tender Lovin’ Care
And I’ll Take You There
I Want To Love You (P.Y.T.)
Pretty Young Thing
You Need Some Lovin’ (T.L.C.)
Tender Lovin’ Care
I’ll Take You There(Girl I think it’d be real nice, if uh… you and I could, you know…
just…get together? You’re such a P.Y.T…)
Happy Valentine’s Day!
ART
Alright gang, my special guest for this year’s Oscar predictions is Aaron Rahsaan Thomas. For those of you who don’t know him or haven’t met him, here’s a quick bio: Born in Kansas City, Kansas, two years at Morehouse and then graduated from the University of Kansas, masters from the University of Southern California Film School. Everyone assumes we’ve been aces since kindergarten (perfect Hollywood cliche), but the truth is we met the year we graduated from KU. Not counting the 200 million side joints we’ve cooked up over the years, Thomas was the writer of peeping tom ( my USC grad project) and a producer on my last short Lady In My Life. He’s also built up a pretty nice Hollywood resume over the years: Soul Food, Cover, Friday Night Lights, Numb3rs, and now CSI: NY. As a matter of fact, he wrote and produced this week’s episode featuring Danica Patrick (premiering tonight (Wednesday)) on CBS. In the pic above, Aaron is on the right of Danica, the cat on the left is the director, Matt Earl Beesley.
So those are the basics. For those who haven’t experienced the ‘Art Fradieu’ style, you’ll get to check it out once we start our Oscar preview shortly…
In the meantime, support my ace and watch his episode of CSI:NY tonight!!!
Return of the Macks!
Those of you who have followed my path for years know that, especially during Oscar season, I’ve done tongue in cheek Oscar previews with my frequent colloborator, Aaron Rahsaan Thomas. Me and Thomas have been chatting the past few days; we’re going to bring the Art Fradieu 2010 Oscar Preview here over the next few weeks. While the YouTube version we did was by far the most popular, it’s probably unlikely that we’ll be able to coordinate our schedules in the next month to recreate that this year.
So come back here leading up to the ceremony next month to get our picks for the major categories…
Inspirations – Black History Month Edition
Every Ramadan, I pick up my Qu’ran and read it from cover to cover. And every February, I pick up my original copy of The Autobiography of Malcolm X and read that from cover to cover. As I’ve noted before in this space, it’s the single book that has had the most profound effect on my life. Spike’s movie is good and necessary viewing, but like any film, there was creative license taken for dramatic effect. If you have only have time for one, I wholeheartedly suggest the book over the movie (I imagine Spike probably would too).
Part of my ‘school’ education was getting a degree in Afro-American Studies; so I have a soft spot for Black History Month. Like many elements of my life, it’s a ‘tool’ on my utility belt. People who came up with me in high school and college will surely never let me forget when it was something I literally wore on my sleeve; now my politics and my spirituality are ‘invisible tattoos’ if you will; they’re always there if you know where to look.
A good friend sent me a fantastic Muhammad Ali tribute on Monday. Another definitive man of his time. I told a friend this privately earlier this week, but when he refused to go to Vietnam and they stripped him of the title, he wasn’t exactly as ‘beloved’ in that moment as he is now. Sometimes I feel like people gloss over that, but I’ll never forget it.
Anyway, Malcolm’s been long since gone, Ali is still here (God knows how much longer), and those of us who are interested in being links in the chain to the kids coming up behind us can use this time to reflect on what we’ve done, are doing, and plan to do to make things a little easier after we’re all long gone off this earth. Ossie said it best (and I’m reprinting the full eulogy below), but the seed of Malcolm X directly led to the growth of the Black Panther Party, Muhammad Ali, Public Enemy, Malik Aziz and THOUSANDS more you’ve both heard of and have never heard of. Whatever you believe in (if you believe in anything), don’t underestimate your influence (positive or negative) on others.
Ossie’s Eulogy of Malcolm X:
“Here – at this final hour, in this quiet place – Harlem has come to bid farewell to one of its brightest hopes -extinguished now, and gone from us forever. For Harlem is where he worked and where he struggled and fought – his home of homes, where his heart was, and where his people are – and it is, therefore, most fitting that we meet once again – in Harlem – to share these last moments with him. For Harlem has ever been gracious to those who have loved her, have fought her, and have defended her honor even to the death.
It is not in the memory of man that this beleaguered, unfortunate, but nonetheless proud community has found a braver, more gallant young champion than this Afro-American who lies before us – unconquered still. I say the word again, as he would want me to : Afro-American – Afro-American Malcolm, who was a master, was most meticulous in his use of words. Nobody knew better than he the power words have over minds of men. Malcolm had stopped being a ‘Negro’ years ago. It had become too small, too puny, too weak a word for him. Malcolm was bigger than that. Malcolm had become an Afro-American and he wanted – so desperately – that we, that all his people, would become Afro-Americans too.
There are those who will consider it their duty, as friends of the Negro people, to tell us to revile him, to flee, even from the presence of his memory, to save ourselves by writing him out of the history of our turbulent times. Many will ask what Harlem finds to honor in this stormy, controversial and bold young captain – and we will smile. Many will say turn away – away from this man, for he is not a man but a demon, a monster, a subverter and an enemy of the black man – and we will smile. They will say that he is of hate – a fanatic, a racist – who can only bring evil to the cause for which you struggle! And we will answer and say to them : Did you ever talk to Brother Malcolm? Did you ever touch him, or have him smile at you? Did you ever really listen to him? Did he ever do a mean thing? Was he ever himself associated with violence or any public disturbance? For if you did you would know him. And if you knew him you would know why we must honor him.
Malcolm was our manhood, our living, black manhood! This was his meaning to his people. And, in honoring him, we honor the best in ourselves. Last year, from Africa, he wrote these words to a friend: ‘My journey’, he says, ‘is almost ended, and I have a much broader scope than when I started out, which I believe will add new life and dimension to our struggle for freedom and honor and dignity in the States. I am writing these things so that you will know for a fact the tremendous sympathy and support we have among the African States for our Human Rights struggle. The main thing is that we keep a United Front wherein our most valuable time and energy will not be wasted fighting each other.’ However we may have differed with him – or with each other about him and his value as a man – let his going from us serve only to bring us together, now.
Consigning these mortal remains to earth, the common mother of all, secure in the knowledge that what we place in the ground is no more now a man – but a seed – which, after the winter of our discontent, will come forth again to meet us. And we will know him then for what he was and is – a Prince – our own black shining Prince! – who didn’t hesitate to die, because he loved us so.”









