Category: 25 MIF & TV


 

It’s funny how ‘timing’ plays out sometimes.  Between Red Tails, the Help, and Sundance, there’s been a lot of public and private conversations already this year about the direction of where black cinema is going.  Everyone has their own opinions, but the truth is none of us can look at the landscape and say, ‘This is definitely what’s going to happen next.’  I do think there is one thing we can ALL agree on though…

It’s going to be a LOOOOOOOOONG time before any Hollywood studio even partially bankrolls a film like Malcolm X again!

Personal bias aside, that’s one of many reasons I argued Spike’s epic was the Most Important Black Film ever made, which you can read here:

http://malikaziz.com/2009/12/02/the-most-important-film-of-black-cinema/

Today the film comes out on Blu-Ray.  Now if you keep up with me at all you know I don’t really use this space for that type of promotion, but like I said, when’s the next time we’re going to get one of ‘these’ out of the studio system?  So yeah…

I’ve still got your back Spike!

 

So like a lot of you, I’m getting geared up to see Red Tails in a couple of weeks.  To get my mind ready for that, I went on Netflix Instant this weekend and rewatched A Soldier’s Story for the first time in what must have been 2o years.  The trailers already let us know that in terms of action sequences there’s not going to be a contest between the two films.  But as far as story goes…the jury is going to be out for a few more weeks.  I never wrote about this really good film when I did this blog’s signature list a couple of years back, but it’s never too late to do an honorable mention breakdown.  You can search the blog if you aren’t aware/forgot what the five categories stand for:

Relevance: The film is about a black captain going down to Louisiana during World War II to do an investigation of the murder of another black officer, most likely by the Ku Klux Klan.  Need I say more?

Legacy: Men of Honor is a great film, and I have a soft spot for Cadence (Oh don’t you know, that’s the sound of the man, working on the chain…ga-a-ang!), but I can’t look at Red Tails without looking at A Soldier’s Story as a direct descendant with its period story and primarily black male cast.  Is there a Denzel Washington, a David Alan Grier, a Howard Rollins, a Robert Townsend in the movie about to come out?  Could be; time will tell I guess.

Craft: I named four black actors and there’s another five faces you know in this movie as ‘That Guy’ even if you would have to look up their names.  The film is based on an off Broadway play, and there’s enough A game in this film to replace the actors who were replaced from the Broadway production.

Crossover: Not much.  To this day this is one of those, by us for us films.

Apollo: Outside of the references to the Negro Leagues that definitely went over my head as a kid, I completely forgot Patti LaBelle was in this movie.  Doing Patti LaBelle things. And yes, that’s a compliment.

So we’re all on to Red Tails in a couple weeks.  The standard has been estabished…

 

It’s both impossible and unfair to expect any one film to try to explain the entire history of African-Americans in cinema.  But I tell you what, ‘Classified X’ is as close as they come.

This documentary, written and narrated by Melvin Van Peebles, traces the history of blacks in cinema, and how movies, Hollywood studio movies, were not remotely immune to portraying the stereotypes that were prominent in the culture at large.  I think I’m part of the last generation that had ‘Mammy’ in their Tom and Jerry cartoons and Bugs Bunny in blackface; ‘Classified X’ brings back all those clips and some that are even more blatant than that.

The senior Van Peebles uses his own career and childhood memories growing up on the South Side of Chicago as the backbone for their story.  It both makes sense and in a way I think limits the power of the narrative.  He’s being completely accurate when he says his film ‘Sweet Sweetback’ convinced Hollywood to create the blaxploitation era; at the same time it still feels like a little bit of a Humblebrag.

That nitpick aside I genuinely feel this is required viewing for anyone with a remote interest in the history of black cinema.  I caught in on Netflix Instant but I imagine there are other ways to see it since it’s a documentary…

 

The metrics I get back have made it clear that the signature piece of this blog in its lifetime has been ‘The 25 Most Important Black Films & TV Shows’ that I wrote a couple years back.  When new people seek out either me or a project I talked about, the search engines will usually spit out a link to a review to one of those pieces.

So here’s what I did this weekend…

1. Long overdue really, but I added a ‘Popular Topics’ tab over there on the right.  From there, you can select ’25 MIF & TV’ (or any other major topic), and find all the pieces I wrote related to that one topic.

2. As of late I’ve gained the ability to place YouTube links directly into my posts (which I didn’t have when I created that lists two years back.  So without re-ranking the lists, I went back and added clips to the vast majority of posts I did related to that category. In a lot of the cases, I was able to go from talking about a scene to just putting the scene I was referring to into the post.

3. For most of the films I just found a trailer so if you haven’t seen the film, you can judge for yourself (based on how it was originally marketed) if you want to track it down. It is QUITE funny to see how dated 70s, 80s and 90s trailers look to us now. In the case of Hollywood Shuffle and She’s Gotta Have It, it’s really interesting to see a young Spike Lee and Robert Townsend use the trailer to personally try to sell you into seeing their debut films.  Independent cinema, baby!

4. Finally, just to start your week right, 2 of the best minutes of ‘black film’ in recent memory.  AIM HIGH WILLIS!!! AIM HIGH!!!!

So awhile back my friend @thecheesefry turned me on to Flickchart, and I promised after I ranked 1000 films (a solid number I think for anyone who calls himself a film geek) that I would post what my favorites are. The question I used when ranking was this, “It’s Sunday afternoon, there is nothing on but these two films, which one am I watching?”  Before I get to my top 20, here are a few things I learned.

1. 1000 films…that’s a lot of movies.  But I give you my word I really have seen all 1000 films I’ve ranked (to this point).

2. A lot of the ‘classic’ films?  You really only need to see them once. (A somewhat surprising revelation to me.)

3. Depending on what your ‘question’ or criteria is for choosing one film over the other, you can learn a lot about someone’s personal tastes with a time killer like this list.

4. I knew I was a big Gary Oldman fan, but even I didn’t realize how big of a Gary Oldman fan I was.

So enough chatter, here is my top 20, with a little comment about each one.

20. Bram Stoker’s Dracula - my favorite ‘bad’ movie of all time.  Gary Oldman chews up the scenery, but Winona and especially Keanu in a historical period piece.  Alrighty.  And I know it fits the over the top mood of the whole film, but Beast Dracula having his way with Lucy in the second act can still get a ‘What the Hell?!?’ out of me.  Good Times.

19. Vertigo - I also have soft spots for ‘Psycho’ and ‘North and Northwest’, but this is the Hitchcock film that rose the highest.  One of my favorite endings definitely; I think the first time I saw it, my feeling was ‘Now THAT was a movie!”

18. The Shawshank Redemption – Like a lot of people, this one was under my radar until it came out on video.  Also on the short list of films me and my father enjoy equally.

17. Ocean’s Eleven (2001) - Granted the deck was stacked in terms of cast (pun intended) but this is a great Hollywood movie.  Clooney at his peak, Vegas looks fantastic, great use of Clair de Lune at the end.  Easily a personal favorite of the past ten years.

16. Coming to America – I talked about how great this movie is in the ’25 Most Important Black Films’ section (cross site plug).  I’m not the first person to say this but it’s true, it’s by far the most quotable black film ever.  One of my few regrets in life is not walking off the stage like Randy Watson after my last step show.

15. Batman Begins – As a pair of my friends can attest to, the last time I came out of a movie theater jumping up and down and pumping my fist.  And I was well into manhood when this film came out.

14. The Manchurian Candidate (1962) – Everyone knows this film is underrated, they’ve remade it with Denzel, and I still feel like it doesn’t get its just respect.  The assassination of the real president a year after the film was made will always hold the original down. And I just recognized the irony that next I have…

13. JFK - Whatever you choose to believe about what happened that day in Dallas, strictly as a film ‘JFK’ is phenomenal.  In my lifetime, maybe no other film has demonstrated how powerful the medium can be in terms of making people think about the world around them.

12. Return of the Jedi – I’m old enough to remember when people trashed this as ‘the weakest Star Wars film’.  Those were the days right?

11. City of God – Best non-Italian gangster movie ever?  Maybe.  I have fond memories of ‘City of God’ being to film what ‘the Wire’ was to television.  Out of nowhere, people were telling me, ‘YOU HAVE TO SEE THIS!’, setting my expectations low so I wasn’t disappointed, then telling five other people ‘YOU HAVE TO SEE THIS!’

10. The Empire Strikes Back - The Dark Side never had, or never will look this damn cool and bad ass ever again. “Luke, Obi-Wan never told you what happened to your father…”

9. A Streetcar Named Desire – Young Brando at his physical peak, when he was clearly passionate about acting.  Nuff said.

8. Eddie Murphy: Raw - I’ll be the first to admit that some of the jokes here are extremely overboard (and especially ironic given the rumors and run-ins with the law Eddie has had since then), but I’ll take this over ‘Delirious’ every time.  Eddie was still the kid from Saturday Night Live on Delirious, here is when he is ‘Eddie Murphy: Movie Star’.

7. Airplane – Now the ‘joke a minute’ genre has been watered down to the point that the films are usually not funny at all, but the originator is still the best of the bunch in my opinion. ‘Stewardess, I speak jive…’

6. Once Upon a Time in America – It’s not a perfect movie, but I still love the ambition of it. I think everyone has or will have at least one non romantic relationship that will end badly.  And in the end, did Noodles just get high and imagine what could have been?

5. Superman II – Christopher Reeve will always be the perfect Clark Kent/Superman, and Terrence Stamp gave the Gary Oldman performance before we knew of Gary Oldman.  ”Kneel before Zod!  ZOD!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!”

4. The Dark Knight – the Prince of Gotham lost this round and I couldn’t have been happier.

3. The Godfather Part II – Best sequel ever.

2. Roots - Technically not a ‘film’ in the way the others are, but Flickchart put it on the list, so here it is.  Still debating at what age this will be mandatory viewing in the Aziz household.  Five seems too young…

1. Malcolm X - What did you expect?

Honorable Mention

One of the side effects of being in the house so much lately is catching up on movies on TV/DVD.  One of the films I caught maybe should have been on my 25 Most Important Black Film list from a couple years ago.  Maybe.

Regardless, I’m not changing the past, but will give this a film (and maybe others down the line) an honorable mention.

Men of Honor is based on the true story of the first African-American diver in the Navy.  Starring Robert Deniro and Cuba Gooding Jr, Men of Honor is a formula film that shows you why there is a formula.

On to the tale of the tape…

Relevance: The previously mentioned storyline makes it more than relevant.  You toss in the black director (George Tillman Jr. of Notorious and Soul Food), and you have yourself a black film boys and girls.

Legacy: It’s definitely a family friendly film and very rewatchable.  As I talked about the film with one of my fellow film geeks, the question was raised, “Was this Cuba Gooding Jr’s last good lead performance?”  Discuss.

Craft: You have two Academy Award winning actors.  One of the beauties of Men of Honor is how DeNiro and Cuba Gooding Jr. (both of whom know how to show out) let the story be the star of the film.  Score one for Tillman here.

Crossover: Even now, Men of Honor isn’t what people think of when they say ‘urban film’.  It was distributed by a major studio and top billed by one of the greatest actors of our lifetimes.  In many ways, it’s the type of ‘urban film’ Hollywood would love to recreate.

Apollo: While the climax of the film (Breashear earning his way back into active duty) would be the obvious choice, I’d say the scene where he earns the crew’s (and audience’s) respect by taking his diving school final (and passing even though he gets sabotaged) is great melodrama.  It seems somewhat implausible but hey, that’s why they’re called movies.

On that note, more later…

Going back to my hometown and seeing old friends, I naturally took my fair share of jokes for being ‘Hollywood’ from my Circle.  I was already outside the norm as a Midwestern kid to begin with, my adopted hometown has really brought out the best in me in terms of inspiring me creatively, giving my ambition room to grow, and giving me the opportunity to meet, interact, and become friends with people I would have never met otherwise.  When people ask me about how I like living in Los Angeles, I half-jokingly tell them I’ve already picked out where I want to be buried.  The City of Angels is not ‘Gotham’ per se, but it’s definitely my Gotham City. 

Anyway I write about things I know and I’m passionate about in this space; last year was dedicated to the 25 Most Important Black Films and TV Shows Made, this year I’m going to do a series about the things I love about this city.  There will be no ranking system this time; in other words #1 in this case is not the thing I love most.  There’s no predetermined list, I have no idea how many things I will come up with (probably between 25 and 50 like last year but I really don’t know).  As I go to places, see people, and am reminded of events I’ll probably be reminded on that particular day to write about them.  Even moreso than last year’s series, I’m telling you up front these are all my favorites; no need for historical contexts or any debates of that nature.

Alright, that’s enough of an intro, on with the show…

 

5. Changing Gears

While I certainly doubt I’ve hung up my director’s hat forever, my time as an ‘indie film director’ has come to an end (on a high note at that – #7).  My feel for the craft is on point, but now that putting money away for my future is my number one priority, I can’t take on the same risks I could take earlier (#6).  Writing it out makes it seem obvious, but I’m putting all my energy into the talents that don’t cost me money to show off.  And truth be told, I miss being the ‘Prince of Gotham.’  Along those lines, my high class move in 2009 was…

4. Cavalleria Rusticana at the Met

As someone who has watched Raging Bull and the Godfather Part III at least a hundred times each, I’ve grown very fond of the Intermezzo from Cavalleria Rusticana.  So first I heard the Met in NYC was going to put on the show around Easter…and one of my college roommates just happens to be a lawyer in NYC…and my musically inclined ace just happened to be right down the road in Boston…and at the time the economy hadn’t caught up to me just yet…

That four day weekend in NYC was my first ‘adult’ vacation, but man, that didn’t stop us from having a great time.  A little opera, a little jazz, a little Junior’s: perfect getaway.  Ten years ago, I would have made a little indie movie about that weekend, but then again, ten years ago I would have been too ‘cool’ to go to the opera, so it is what it is.

3. Twitter

and really, the overall growth/importance of social media/networking.  The global village is here folks, today, right now.  This is a definite ‘did the chicken come before the egg’ argument, but with me simultaneously promoting/pushing ‘Lady’ (#7), and building the blog with content like ‘Limitless’ and the Most Important TV/Film Lists, I’ve managed to build a nice little audience.  Either through direct contact or looking out the stats the system generated, I know I have regular readers in Europe, Asia, Africa, and of course my home continent.  Even five years ago, how hard would it be to promote yourself without at least one studio film or TV show under your belt?  It’s been a great tool professionally, and it’s been just as much fun interacting with friends old and new.

2. Very Smart Brothas

For being the most consistently funny brothas blogging at the moment.  I spent many nights winding down, just to get caught up in a ‘wake the neighbors up chuckle’ from whatever silliness Champ and Panama brought to the table.  Sometimes it was a long column about relationships, sometimes it was proving that, sometimes, the picture really is worth a thousand words…

And honorable mention in the ‘Things That Routinely Made Me Laugh’ category for 2009 goes to: The Most Interesting Man in the World campaign (Dos Equis), the Kobe/LeBron puppets (Nike), and as usual, the Jack in the Box commercials.

Champ and Panama of course did a column about what I (and a lot of you) will probably remember the most about this year…

Number One

Looking out, across the nighttime

The city winks a sleepless eye…

Hear her voice, shake my window

Sweet seducing sighs…

Get me out, into the nightime

Four walls won’t hold me tonight…

If this town, is just an apple

Then let me take a bite

If they say, why? why?  Tell ‘em that it’s human nature

Why? Why? Does he do me that way?

If they say, why? why? Tell ‘em that it’s human nature

Why? Why? Does he me do that way?

Reaching out, to touch a stranger

Electric eyes are everywhere

See that girl?  She knows I’m watching…

She likes the way I stare

[Chorus]

Looking out, across the morning

Where the city’s heart begins to beat…

Reaching out, I touch her shoulder

I’m dreaming of the Street…

[Chorus]

First, the TV list…

 
Roots
The Cosby Show
Chappelle’s Show
In Living Color
Boondocks
Oprah 
Eyes on the Prize
Fresh Prince of Bel-Air
Def Comedy Jam
A Different World
Saturday Night Live
Soul Train
Arsenio Hall Show
Living Single
The Wire
Good Times
The Jeffersons
Martin
Different Strokes
Video Soul
Roc
The News 
Flip Wilson Show
Sanford and Son
Benson

I was still debating Chappelle’s Show being #3 a couple days after I wrote it.  Then I realized I wrote that post without mentioning Lil Jon, Prince, ‘When Keeping It Real Goes Wrong,’ ‘Piss On You’, or Tyrone Biggums coming up at all, so I’ll still argue for that one.  I might be influenced by her name being in the news so much, but Oprah should be higher.  One of my favorite TV shows of all time, The Wire, didn’t crack the top 10.  Not enough of a crossover audience, and the Legacy issue is still debatable.  Don’t say I didn’t make an honest attempt at being as objective as possible though.  A few shows not on the list that people have suggested or made arguments for: New York Undercover, Girlfriends, and Comic View.  The great thing about lists like this; there’s no right or wrong answer.  I didn’t hear any of the shows mentioned and think “Are you insane?”  You can make an argument for all three of those.

The film list:

 
Malcolm X
Do the Right Thing
Birth of a Nation
Boyz N Da Hood
Glory
Coming to America
Sweet Sweetback
Shaft
Gone With the Wind
Richard Pryor on the Sunset Strip
Waiting to Exhale
She’s Gotta Have It
Beverly Hills Cop
Monster’s Ball
New Jack City
The Color Purple
What’s Love Got to Do With It
Madea’s Family Reunion
Blazing Saddles
In the Heat of the Night
Boomerang
Purple Rain
Hollywood Shuffle
I’m Gonna Git U Sucka
Car Wash

As expected, I got called out for putting Birth of a Nation so high, but I stand by my argument.  For the various complaints we have about the current state of black cinema, I have to say I could have easily gone 50 deep with films, and they’d all be movies you’ve heard of.  In no particular order: School Daze, Bamboozled, Four Little Girls, When the Levees Broke (all Spike films), Menace II Society, Don’t Be A Menace to South Central while drinking your Juice in the Hood, I Am Legend, Eddie Murphy Raw, the Original Kings of Comedy, Superfly, Coffy…that’s more than 10 off the top of my head (I know I’m a film geek but you’ve heard of most if not all of those movies at some point).  A lot of people assume Malcolm X is my favorite film ever.  It’s in the top ten; in truth the book The Autobiography of Malcolm X is my favorite book.  Like most adaptations, the book has a lot of nuance that you won’t get in the film.  Neither are perfect films, but on a personal level I like Mo’ Better Blues and  Crooklyn as much as I like some of Spike’s more overtly political stuff.  If you’re familiar with my own style as an storyteller, you see I gravitate more towards the ‘personal’ stories, and less the ‘political’ stuff.  But that’s just me.

Speaking of such, got one more ‘personal’ blog to put up before year’s end.  Working on that now.  ‘Til next time….

Roots is based on the popular epic novel by Alex Haley.  Based on Haley’s real life search for his African ancestors, Roots begins with the story of a Mandinka warrior, Kunta Kinte, and traces his family history through the Middle Passage, the Civil War, and into modern day America.  Very few works of art can legitimately claim to changing the way an entire culture looks at itself, but Roots could make that claim.

On to the tale of the tape…

Relevance:  While there continue to be great novels made about slavery and its long lasting effects on African-Americans, no story before (or since) has put a ‘face’ to the history of blacks in America as Roots.  African-Americans are, as a culture, the only group of Americans who didn’t immigrate here by choice; Roots goes into vicious detail to remind the audience over and over again the impact of this.

Legacy:  From a show biz point of view, the cast including John Amos, Levar Burton, Louis Gossett. Jr, Leslie Uggams, Shelly Duncan, Robert Reed, Chuck Connors, Ed Asner, O.J. Simpson, and Ben Vereen were an absolute murderer’s row for the late 70s (and this doesn’t include the heavy hitters that came in for the sequel).  From a larger cutural point of view, Roots encouraged many African-Americans to research their own genealogy.  An entire industry was born out of the search by many to discover their own roots.

Craft:  Immensely watchable, the miniseries was must see television before the term existed (more on that in a minute).  For many years, Roots was a holiday staple on cable.  With an ensemble cast of that size, it’s impressive that each arc of the story is memorable in his own right.

Crossover:  Nominated for Golden Globes, and Emmys, the series finale was at the time the most watched hour of television ever (now I believe it’s third).  It’s on the short list of pieces about black culture that completely penetrated the mainstream.

Apollo:  Hoo boy…take your pick.  Was it the one everybody instantly recognizes, Kunta Kinte being strung up and whipped until he accepts that his name is now Toby?  Was it my personal favorite (within context of course), of Kunta being tied to a tree after getting caught trying to runaway and having half his foot chopped off to stop him from running?  Was it Kunta’s daughter Kizzy being sold to another family as punishment for knowing how to read and write?  Was it Kizzy being raped by her new master and giving birth to Chicken George?  Was it Chicken George learning his master was also his daddy?  Was it just the collective chill that ran down black and white audiences when they realized, “Wait, THAT’s what slavery was like?!?”  Is it the subtle racism and self-hatred elements that still exist in black culture that can be traced back to slavery?

OK, I’m clearly close to starting a new rant, I’ll stop there.  Thank you for taking the time to read the two lists I’ve put together; they’ve become one of the most popular staples of this blog.  I’ll come back later this week for some after the fact reflections now that both countdowns have ended.

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