Tag Archive: Michael Jackson


 

mjthisisit

Your faithful narrator is going through a lot of mixed emotions right now: joy and elation, frustration, accomplishment, sadness, determination.  Not at liberty to go into details until next month, so be patient as I imagine the posts/song choices will be even more all over the place than normal depending on how I’m feeling when I look at my playlist.

Along the lines of songs that take me through the emotional spectrum (because of the circumstance moreso than it being one of his best songs, but it’s not bad right?) here’s how we start the week:

 

mjlive

Thanks to everyone who tuned into my Nickelodeon debut last night; it was a fun experience.  Time to reboot…

Certainly not the first or last time I’ll post my single favorite song ever.  I love this particular performance for a lot of reasons though.

  • A microphone, a spotlight, and a stadium under his complete command.  At any given time, there’s what?  Maybe 5 living people who are on point like that.
  • I agree with Spike’s doc here in that this was Mike at his apex as a live performer.  Didn’t need his brothers anymore, complete confidence as a dancer and a singer.
  • He puts the microphone down in the last minute and just starts doing a hardcore robot.  I mean, damn…

Happy Monday!

 

 

mikeandjanet

Ah.  I was all hyped to talk about this one when I knew it would be today’s song (I wrote my first ‘action fight sequence’ to this), but now I just feel melancholy.  Hopefully it has the opposite effect on you going into the weekend.  Enjoy!

 

timberlake

I know your boy Justin Timberlake is hosting SNL this week and he’s got a hot record again so he’s in a nice spot to make another step up the ‘legend’ ladder.  Justin is one of those handful of guys my hypercompetitive ass always keeps an eye on.  Not that I could have (or want) his exact path, but we’re close enough in age and background (Midwestern/Southern mix) that I look at what he’s doing more than others.  The biggest difference of course, is, you know, I’m actually black.

OK, OK, I kid, I kid.  I’m not a hater like some.  When Timberlake is on point (‘Cry Me a River’ and ‘Dick in a Box’ immediately come to mind), you can’t deny the skills/sense of style/comedic timing.  I’ve seen and heard enough unflattering stories though too, to be a little wary.

Anyway I owe you a song to take you into the weekend.  Not a joke I wrote, but this falls into the ‘Michael Jackson is not a genre of music’ category:

You know, this song reminds me of a story when

[Editor's Note: Malik was distracting in the last 30 seconds of the song and got into a pop locking showdown with video Justin.  He'll be back with a new post Sunday night.  Have a good weekend.]

BAD25

 

So what do you get when my personal favorite filmmaker (Spike Lee) does a documentary about my personal favorite artist of all time (Michael Jackson)?  You get BAD25, an absolute must see for all die hard MJ fans, and a well spent 2 hours for those of you who were fans of Mike at the apex of his artistic powers (which covers the rest of planet Earth, minimum).

With a near perfect mix of interviews with celebrity crushes/interviews, music industry insiders, choreographers, and the short filmmakers, BAD25 is both a great tribute to the iconic King of Pop, while also showing how many super talented collaborators Mike had to help bring his vision to life.  It starts with the still ridiculous question, ‘How do you top Thriller?’  When even some of his closest people thought Mike should try something a little different, Mike set the goal of actually topping the greatest selling album of all time.  Smart decision number one was getting together again with the icon in his own right Quincy Jones.   From there, we get first hand accounts from everyone from Siedah Garrett to Martin Scorsese to Sheryl Crow on what it was like to work with MJ in creating each song, each video, working on his first solo tour.  We even get a nice bit of comic relief when Spike has to address ‘Just Good Friends’; looking at the album playlist now it really is ridiculous.  Ten songs EVERYONE knows…and ‘Just Good Friends’.

So needless to say, I can’t recommend this one enough.  If you’re in L.A., it’s still playing at the Chinese Theatre for a few more days.  It’s premiering on ABC during Thanksgiving weekend.  Now if you’ll excuse me, I have a floor to ceiling mirror I have to battle…

(buckling up my knee high boots.  EVERY buckle…)

Halftime.

Michael.  Michael was the first icon of my generation.  He loved entertaining, and we loved watching him and listening to him and imitating him.  Along the way, he learned/understood the value of being enigmatic.  It’s a very ‘Hollywood’ thing to do; the myth/mystery of who you are behind closed doors becomes part of your attraction.  In Mike’s case, it’s fair to say the enigma thing backfired on him in his later years; there’s definitely a point where you don’t want to be a complete wildcard.  But when Mike did what he did best, he was peerless.  His personal and professional ambition to separate himself, first from his family than from his peers, drove him to break down boundaries for everyone who came behind him.

Malcolm.  Malcolm was and still is one our heroes.  ’Our Shining Black Prince’.  His words, both in written form and in oratory, made us really proud to be Black.  No one man or group will single handedly reverse a system that undermines the self esteem and self worth of a culture.  But Malcolm definitely tried, he tried harder than anyone before or since.  That oversimplifies a lot of things, but on a basic level that’s why we love him.

Marlon.  The Prototype for American actors.  Not only that, but the pioneer for ‘the movie star as social crusader’.  Marlon was friends with Dr. King and James Baldwin; he even more infamously stood up for Native Americans; he was even friendly with the Panthers for a time.  But what do the people who knew him best say about him?  He was a nut!  He loved to laugh and he loved to joke with others.  For all the serious causes he was involved in and supported, he still had no problem knowing when to loosen up, and not take things too seriously.

Anyway, halftime is almost over.  Some very good things happened in the first half, but the Game is far from over.  Make the necessary adjustments based on what you’ve seen, but we can stick to the Game Plan and win this.  You’re a veteran now, you don’t need much more of a pep talk than that.

Rise dark knight.  Rise.

 

I’ve spent quite a bit of time the past few weeks profusely thanking the people around me.  Calling friends, hanging out, sending cards: doing right by those who have done right by me.  Nothing extraordinarily good or bad has happened to me (yet), but the desire to be grateful has hit me.  Depending on the exact timing, the responses have fallen into one of three categories: 1) humble appreciation of the bond we share, 2) mutual amazement at the extraordinary number of things that had to happen for our paths to even cross in the first place, or 3) the macho ‘I’ll be vulnerable for 1.5 seconds before I have to start acting hard again’ response.  The learning curve of who we can trust is different for each of us; my case seems typical for where I came from:  Start out trusting no one, you live your life and some bonds are formed and broken naturally, and in the end you have a handful of people that you trust and can talk to about everything.

So one of those handful recently asked me what my ‘social agenda’ was these days.  With the understanding that no one will be mentioned by name (of course), I don’t mind telling you what I told him.

Much as in my professional ambitions, I’ve had a very specific image in mind of what the Aziz Family will be.  In spite of every myth or stereotype you’ve heard, I’ve actually known my father my entire life, and believe it or not, he’s a really good dude.  So that cycle will continue: my children will not only have half of my genetic makeup, they will be raised with my presence and with my value system.

While my foundation is solid, I’m not going to act like my reputation as a bachelor isn’t infamous.  I will always bristle when someone refers to me as any kind of ‘pretty boy’ (blame college), and I seriously doubt I’m taking any options away from Idris Elba.  But (and there’s really no way for me to say this next sentence without sounding like a Humblebragging douchebag so I’ll just say it) I’ve been blessed with the right mix of look/style/intellect/personality/ambition to have relationships with women outside of my religious group, my racial group, social status, you name it.  I can cross over and I have, repeatedly. But being able to do that cuts both ways…

Not long ago I was talking to what I like to refer to as a Dirty Diana.  Realistically, I saw no future with this woman.  But she had two of my known fatal flaws: brunette hair that flowed down to her shoulders, and a slight (non-American) accent. She could have been a Kardashian cousin (not that uncommon really when you get into the Muslim dating world and the cultures that make it up).  But how did I know there wasn’t a future? She couldn’t keep me interested intellectually.  So I just smanged a couple times, then went with the old ‘Yeah so I’m married, is that a problem?’ line to get out of it.

(KIDDING, KIDDING.  I believe in karma people, come on!  We friend zoned each other up.)

In all seriousness though, most of my time and energy as of late has been with the Liberian Girl types.  Fellow intellects, women with a sense of culture, women whose sensuality is both internal and external.  Truth be told, it’s been quite…liberating.  I know I’ve probably doomed myself to another horror story before it’s all said and done, but there is definitely a comfort level that comes from knowing you view the world through the same prism, and would like the same type of home life.  Stressing (or not stressing) over chemistry is much nicer than stressing over “Man am I setting myself up for compromises I have no intentions of making five years down the line?”

So to answer my friend’s original question (since I know he’s a regular reader), like a lot of things in my life, this seems to be naturally working itself out.

Have a safe weekend everybody!

 

The crazy thing about this one is, with the long weekend, I was feeling lazy this afternoon, and almost didn’t go.  But it was Saturday night, I guess that makes it right, I said ‘What have I got to lose?’ (You see what I did there right?  OK, OK, I’ll get to the review…)

So I’d heard from various friends in NYC and LA about how ‘great’ Prince’s shows were on this tour.  I was an 80s kid, of course I was a pretty big Prince fan.  Not my number one guy as most of you know, but that’s an apples and oranges discussion.  Anyhoo, my gut response was ‘Of course I’d love to go, but who can afford the tickets?’  And that’s when I heard…

$25.

‘Wha?’

You can see one of the icons of music for $25?  Well at that point of course I was in!

Prince has been known to have ‘special guests’ on this tour (as if super affordable tickets weren’t enough).  The guest tonight was one Mary J. Blige.  Now I’m going to be honest: I grew up with Mary J. Blige, I respect her and her voice, but I can’t say I’m the biggest Mary J. Blige fan.  I’m not making a 180 after tonight but this is the truth: seeing her live COMPLETELY changed the way I looked at her.  The instant connection with the audience, dancing along with her own songs, I think she’s sexier at this point than she was ten years ago.  Not for the first time in this review, words don’t do justice to how good it was. I’ve always been a fan of her version of ‘Sweet Thing,’ so when Prince snuck his little 3 foot 3 behind on stage for a quick cameo appearance, I lost it.  After the fact I was very thankful no one had a camera on my reaction, geeked on some damn Prince!  I feel like docking myself cool points just for admitting it!  Anyway, it was ‘the Club’ and ‘Chu’ch’ (and if you know what I’m talking about, you know I didn’t misspell that) all rolled into one. And that’s always been her style, but if you’re a Mary J. Blige fan, you owe it to yourself to see her perform live if you haven’t already.  AND THAT WAS THE OPENING ACT!

So after Mary J. wore us out, there’s only a handful of people who you would even WANT to try to follow her up.  But when your opening line to the crowd is ‘Do ya’ll know how many hits I got?!?’, you’re one of the guys/girls who can pull it off! And when you can say that while wearing some knee high Uggs with heels, made from Taun Taun fur, dammit you can’t be anybody but Prince!   Backed by Maceo Parker (look that name up after you’re not familiar with funk and jazz) and NPG, Prince took us through some of his greatest hits; but being the great musician he is, tweaked every one so it wasn’t exactly like the studio version.  Mary J. came back onstage to duet ‘Nothing Compares 2 U’, ’1999′ and ‘When Doves Cry’ became great call back songs between him and the audience.  We even got fairly impromptu jams, ‘Cool’ by the Time was a perfect blend with ‘Don’t Stop Til You Get Enough’ (which I appreciated), a white guy he pulled out of the front row DIDN’T know the words to ‘Little Red Corvette,’ so Prince got his ass offstage and went into ‘Play that Funky Music (White Boy).’  And he closed the show with an even more local version of ‘Hollywood Swingin” for Inglewood.

We were all more than satisfied; when the first encore was ‘Purple Rain’, well, shit.  Justifiably epic live, not much more to add there.

So a Mary J. Blige/Prince bill, for about what I pay now for half a tank of gas.  I don’t know where I go from here concert wise…

 

“There’s no such thing as a small part, just small actors.” - Sidney Lumet

Being out of town delayed this post by a few days, but when you’ve contributed to American cinema what Sidney Lumet did, an appreciation is better late than never.  Non film geeks be warned, I’m going in on this one.  While his name does not have the crossover appeal of Spielberg or Scorsese, you can’t talk about Hollywood filmmaking without talking about this man.  A brief rundown for the uninitiated…

  • 12 Angry Men - Has to be in the debate for one of the best directorial debuts ever.  I believe I was in high school (possibly middle school even) when I was first shown this film, about a jury deliberating over the guilt or innocence of a kid on trial.  The majority of the film takes place in a jury room, and as television has given us even more access to the workings of our justice system, 12 Angry Men (in my opinion anyway) is probably even better now than it was when it was first made.  And this was his first film.  Damn.
  • Serpico - Much like ‘On the Waterfront’, the rare film where you completely sympathize with the ‘snitch’ (and yes I understand the snitches in these films were played by Brando and Pacino respectively).  Based on the true story of a NYPD officer who ratted out his coworkers’ corruption (and dealt with the repercussions of that), it’s a fantastic piece of 70s cinema.
  • Dog Day Afternoon - By leaps and bounds my favorite non-Corleone role by Pacino, and also number one of my list of ‘I Could See Hollywood Trying to Remake This, and I’ll Have Me a Good Cussing Fit That Day’ Movies.  Also based on real events, a down on his luck guy and his buddy decide to hold up a bank, and literally from the moment they say ‘This is a Stick Up!”, their day and their plan gets worse and worse and worse.  One of the first DVDs I ever bought.
  • Network - Even if you’ve never seen this film, odds are you’re familiar with the phrase, “I’m mad as hell, and I’m not gonna take it anymore!”  Well if you didn’t know, it came from this film.  Some people say this film in its own way predicted the genre we all call ‘reality TV’.  I don’t know about all that, but when you get Robert Duvall and Faye Dunaway in their peaks, and a Hall of Fame catchphrase and performance by Peter Finch, you’ve got one hell of a movie.
  • The Wiz - I’ve caught slack from some of you for not holding this film to the same standard as the films above.  As compensation for this slight, I offer the next time we go to karaoke, I’ll perform this (complete with highwaters, glitter vest and matching bow tie…)

http://www.youtube.com/watch?v=ML-qN_6ZeCU&feature=related

That said, IREFUSE to call the Wiz a cinematic classic.  BUT.  BUT…not only was this the film debut of my Idol, but it was during the making of this film that he met the cat playing piano in the clip above (a musical genius by the name of Quincy Jones).  They decided to make a couple albums together.  I think you know the rest…

I’ll start to wrap it up, even though I haven’t even mentioned ‘The Verdict” (a great film and for many people’s favorite performance of Paul Newman).  And while there’s no way to document this, he’s widely credited as being the one who suggested that in the Pacino remake of Scarface, they make Tony Montana and company Cuban immigrants.  (Wow.) That, my friends, is a first ballot Hall of Fame Hollywood career.

So rest in peace, Sidney Lumet.  You won’t bump Liz from the final spot in next year’s In Memoriam segment of the Oscars, but I’ll be damned if you’re not second.

Cirque de Soleil – LOVE

So what did I end up doing for my birthday (as I’ve been asked repeatedly…)

This story starts a couple years back actually when a friend of mine caught on that I had taken an interest in the Beatles’ catalog of music.  So he just goes on and on about how he had just come back from Vegas and had gone to see ‘LOVE’ and it was amazing.  And at the time, I said ‘Cool,’ but a Vegas show wasn’t remotely on my to-do list so I let it slide.

Anyway, fast forward a couple years and the timing was right and I was still interested so I started researching the possibility of going.  First thing I noticed of course, was that money wise this wasn’t going to be a ‘regular night out’ if you catch my drift.  So I had to think about how bad I really wanted to see this.  Then I decided to look up other people’s reviews to see what they thought of.  And damn near universally, every review was some version of ‘Five Stars!  If you like the Beatles’ music, you have to see this show!”

Now this is where the non-conformist in me kicks in.  ’Everybody’ thought the show was great?  That…seems a bit much.  Everyone doesn’t love (or hate) something.  Anyway, here’s my one line review:

“Five Stars!!!!  If you’re a Beatles fan, you HAVE to see this show!!!!!”

No, really, in this case, everyone was right.  The CD of the show (great remixes on its own terms) and little homemade clips just don’t do it justice.  While the movie biz is pushing a lot of fake 3-D down our throats right now, “LOVE” is a genuinely entertaining, live, three-dimensional show.  I’ll spare the play by play since the people I know who will think about seeing the show will want to ‘experience’ it the way I did, so I’ll just throw out a few remarks:

  • I’ve expressed my appreciation for ‘Something’ several times over – I knew the audio remix for this show was great but I was worried that since it was Cirque de Soleil their interpretation would be ‘busy’ for lack of a better word.  Nope.  A boy longing for his dream woman, that was pretty much it.  Well played.
  • I mean this in the nicest way possible, but the lead black dancer in the show was a dead ringer for young Eddie Murphy doing ‘James Brown’s Celebrity Hot Tub.’  And I can’t clown him, because he broke out some Greek steps in the middle of the show; my competitive streak briefly kicked in before I remembered those days for me are long gone.
  • Not going to spoil it, but the way they interpreted another favorite of mine – ‘A Day in the Life’…WOW.  It was brilliant on one hand, and on the other hand you’re saying, ‘Yoko and Paul signed off on this?’ (which they had to have).  I’ll never hear that song the same way again.

The Beatles obviously never did and never will do any ‘reunion’ concerts, but I’ll be damned if ‘LOVE’ doesn’t do a great job of making up for that.  I never got around to seeing MJ perform live, it’s too bad he doesn’t have one of these.

Wait, what’s that?  They’re putting together a Michael Jackson/Cirque de Soleil show?  For next year?!?

Oh my…

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