Tag Archive: natalie portman


 

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I already hate my IPod for going into a John Mayer mix as I write this.   Anyway…

Among the many good to great things that I’ll take away from this calendar year, near the top has to be being a part of Natalie Portman: the Musical.  It’s a funny script written by a talented writer, that really comes alive with a great cast of talented comedians who each brings something to the table.  The reviews have always backed this point up, but it’s true: the best comedians in the world can have off nights, or can write a joke that’s funny on paper, but doesn’t work in a live setting.  Beyond one infamous night where the majority of the crowd probably didn’t understand what we were saying (long story), the show always works.  And the great part of live performance is it feels like a new show every night because different people find different things hilarious.  It’s a fun, relatively low pressure hour and a half.

For the revival I spent a lot less time researching my characters and more time learning about the people (not as actors) who I’ve been working with.  I want to say it was Robert Downey’s character in Tropic Thunder who brought up how every play and movie you do becomes its own little family unit for a little while just by nature.  You spend a lot of time with the same people and you become more comfortable around each other and see everyone’s quirks and appreciate what makes each of these people unique.  If you’re really lucky, you might even like them!  (No, really, that is NOT a given.  Think about your family or where you work.)  So long story short, I have some type of attachment to everyone you’ve seen me share the stage with at some point this winter, I genuinely like all of them, and hey, if we work together again down the line too, well, that’s just icing on the cake.

Man, I’m rambling tonight, what was the point I was trying to get to?  Oh yeah!  Last shows of the year Friday and Saturday night!  Come get your laugh on, and maybe even shed a few sentimental tears.  Not me of course, because I don’t cry, but you get the gist of it…

http://chromolume-theatre.com/natport.html

 

Three weekends left to catch me and my babies (that’s what I call the rest of the cast) in Natalie Portman: the Musical!  Here’s one more nice review courtesy of L.A. Splash:

http://lasplash.com/publish/Los_Angeles_Performances_116/natalie-portman-the-musical.php

Fridays and Saturdays nights for a few more weeks folks.  Be there or be square (or whatever the young people are saying these days):

http://chromolume-theatre.com/natport.html

 

(Slipping into my best ‘press tour’ jacket…)

 

Two places you can find me in the next seven days if you’re in the City of Angels.  First this weekend, the holiday run of Natalie Portman: the Musical continues, you can find all the info you need here:

http://chromolume-theatre.com/natport.html

Second, the short S.O.S. is making its North American premiere at the Hollywood Reel Independent Film Festival.  I’ve seen the finished version, and it will be nice to get together with the cast and crew and watch the film with an audience.  That will be this coming Wednesday at 3:00.

You can find the details for that festival here:

www.hollywoodreelindependentfilmfestival.com

If you’re in L.A., hope to see you in the next week.  For my friends everywhere else, all I can say right now is be patient…

And have a great weekend!

 

So, friends, family and others in L.A. who hit me up about missing out on the initial run of Natalie Portman: the Musical, it’s your lucky holiday season!  Starting Friday, we’re back every weekend up to Christmas!  If you haven’t made it down, now’s your chance; if you came for the first run, swing through to see the 2.0 version of the show.

As Eartha Kitt famously purred in Boomerang, I don’t have to toot my own horn; there are others who will do that for me. (Translation: check the reviews, they’re all great and compliment the writing and the cast.)

Look forward to seeing some of you one last (or one more) time before the year ends:

http://chromolume-theatre.com/natport.html

 

Three months to go.  By any measure this has been one of my most productive years ever.  Even if I sat back and just promoted things that are in the can but haven’t aired yet, 2012 will be a plus.  Not my nature of course, but I can give myself a moment to reflect.

A lot of different factors have played into momentum shifting in the positive direction; the one that I have the most control over of course is my own actions.  From the beginning I’ve been a ‘big picture’ guy (part of the price of ambition), but the fundamental flaw if you spend too much time focused on the big picture is you’ll get caught up overthinking, overanalyzing, and so on.

The endgame is still the same, but other than a chosen few, I’ll rarely speak about it verbally (or in a blogpost).  If for example, I was doing all this to own a Maserati, I’ll go by the dealership once every few months to admire it.  But that’s really the amount of time I spend thinking about it on a daily basis.  Day to day, I focus on whatever is right in front of me.  Focus, discipline, work ethic, all strengths of mine.  Daily goals now.  ’Win’ every day.  And as it’s turned out, stringing together a lot of successful days turns into successful weeks and so on.

So I’ve updated the ‘That Guy’ section with a few of the great blurbs I got for Natalie Portman: the Musical.  More updates later this week…

 

 

So how was my first run on an L.A. stage?  It’s been great.  Truly.

Earlier this week, I was in more of my natural element: a television soundstage.  12 hour day (usually the minimum), even with digital technology, at least 45 minutes between each setup to (hopefully) capture five minutes of usuable footage.

You use the same toolbox to build a character, but the stage experience is different in every other important way.  You’re on for two hours every night the show plays, ideally the person in the back row has to hear every word and see every gesture as clearly as the person in the front row.  You space out and forget your line or your cue, you come up with something else immediately or hope your scene partner bails you out.

The above is just stage acting; now let’s talk about the play I’m in.  First with live comedy, have to stay in character.  Drama is the same sure, but when you’re telling jokes, and your scene partner loses it, or you just get the giggles, you have to commit.  In this cast/show, I am the ‘Host’, so I have the easiest load to carry.  In sports/music terms, keep the show going, don’t take anything off the table.  If the audience wants to laugh, let them laugh; if they’re ‘too’ quiet, up the improv ante to try to warm them up.  In the audition and rehearsals I did impersonations of Denzel and Morgan Freeman, but let’s be honest: Samuel L. Jackson and Chris Rock are naturally more ‘theatrical’, and if you’ve seen the show, they work better for the ‘role’.  I still have no ambition to do stand up, but after doing this show I have to admit I feel more confident I ‘could’ do it, even if I was telling killer jokes in front of a sold out crowd who refused to laugh (which happened one night during our run).

In character, I’m supposed to be at the Theatre ‘because I owed someone a favor’, I’m supposed to be surly and undersell the jokes and the talent of the rest of cast, just in every way possible, I’m pissed to be roped into the show.  Basically, the exact opposite of how I truly feel, so you could say I have the hardest acting job in the cast. (See what I did there?)

But seriously, the reviews back it up, everyone who has come down has backed this up: it’s a fun show with a very talented cast.  Once in a while I betray my character and smile, but it’s still fun to watch the scenes play out, and to hear the songs sung.  Out of character, I’ve very much become a fan of everyone in the cast (and crew) individually, and hope to work with each of them again.

And Natalie, honey, if you’re not campaigning for Obama this weekend, you should get a sitter and come down.  I’ll comp you front row…

Alright stragglers, this is it!  The last weekend to catch Natalie Portman: the Musical! So what do you need?  A nice review from one of my old stomping grounds? Fine, here’s what the Daily Trojan had to say:

http://dailytrojan.com/2012/09/19/haute-highlights-36/

What’s that?  They were biased?!?  I didn’t even know they were in the audience!!!  Fine, how you like these LifeinLA apples?!?

http://lifeinla.com/7702/172/Natalie+Portman,+the+Musical+.html

Tomorrow, I’ll talk about what this whole experience has been like.  Tonight, there’s still three shows left to do.  Get on board gang.

http://chromolume-theatre.com/natport.html

 

Before I go into full promotional mode, let me say this: I’m not doing one of my deliberate ‘quiet’ things right now, in terms of what’s going on in the news/politics.  I know some of you are already fatigued by it (and we’ve still got a month to go to the actual election yay!); truth be told, I’m trying to hold off until October to go into more detail about my own feelings about alot of what is (and is not) floating around.  I will at least say this: I think it’s all related to the upcoming Presidential election, whether it’s explicit or not.  Now moving on…

Two more weekends of Showtime!  To the friends who have already come down, thank you, I love you, the cast loves you, the crew loves you.  To everyone who has written nice reviews, told their friends about the show being funny, reposted and retweeted and on and on, thank you as well.  Now for the rest of you…what’s the holdup?

Get your sweet, sexy asses down to the Chromolume Theatre this weekend (or next) and get your chuckle on!

http://chromolume-theatre.com/natport.html

 

After a great opening weekend, we’re back at it again this week doing Natalie Portman: the Musical.

But don’t take my word for it; check out the review from L.A. Weekly:

http://blogs.laweekly.com/arts/2012/09/new_theater_reviews.php

3 weekends left; if you’re in L.A., I hope you make it down!

Catching Up

 

 

First, thanks to everyone who came out for the opening weekend of Natalie Portman: the Musical.  (Of course I’m going to say this, but in complete sincerity) Everyone who’s come down has told me they’ve enjoyed it and spoken very highly of everyone in the cast.  Behind the scenes we all can name all the times we’ve screwed up, but we’re all professional enough to cover each others tracks.

So if you haven’t come down yet, we still have three weekends to go.  Come get your laugh on:

http://chromolume-theatre.com/natport.html

One other link before you start your week: so a week or so back I told you that a short I was in, State of Separation, was accepted into the Raindance Film Festival.  That’s the good news; the bad news is that for shorts, the festival doesn’t offer any help for the filmmakers to get to the festival.  Ryo and Megan could use your help, that link is here:

 http://www.indiegogo.com/SOStheMovie#share

So that’s my pay it forwards to start the week.  More later…

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