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Me and Vishnu talking about 1/30 in our own words.

Enjoy.

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Don’t think it was an all time Marvel movie (admittedly that bar is pretty high now) but I didn’t really dislike it either. A few non spoiler thoughts:

  • Tom Holland: these kids don’t know how good they have it. Tobey was fine, Andrew was fine, but man this kid IS Peter Parker. Young looking, earnest, always in just a LITTLE bit over his head in and out of costume. It feels like it’s going to be awhile before I get tired of this kid in the role. Likewise…
  • Zendaya: as MJ is also pitch perfect. Their chemistry together is fantastic. Playing ‘too cool for school’ as a defense mechanism as opposed to actually playing too cool for school, she’s great on her own, and teamed with Holland they have the high school crush thing nailed down.
  • Mysterio: genuinely knew nothing of the character going in, I had a feeling of what the reveal would be, but HOW they did it was interesting. Don’t know if it felt completely plausible, that’s my biggest nitpick with the movie. But the special effects tied to Mysterio’s character were fantastic. Scary in the right way.

Not completely sure yet how Marvel’s next Phase is going to play out, but I’m still interested. Recommend.

Liked it, didn’t love it. Spoiler free thoughts as usual. First what I dug…

  • The celeb who makes fun of themselves is ‘kinda’ played out at this point, but Ed Sheeran hit the perfect balance. He never really goes into over the top mode, whenever Jack one ups him, he falls back into ‘I mean, man, that’s one of the best songs I’ve ever heard’ mode, which is a nice in joke for this story.
  • Kate McKinnon. She still hasn’t really had her solo breakout yet (as a movie star), but man when she is put in the right part, so much fun to watch.
  • There’s a line early on where Lily Allen’s character says (I’m paraphrasing), ‘How do I get out of the friend zone and become the woman who inspired ‘And I Love Her’ and ‘Something’? And I audibly said ‘DAMNNNNNNN’ in the theatre and I really wish the whole movie would have focused on that and not kept going back into fantasy world.

Also in the ‘ehhh’ file…

  • You probably know the premise here: ‘the Beatles’ never existed so the main character writes their songs and takes credit for it. Some other things apparently didn’t happen in this alternate universe, and it’s REALLY random and some of it predates the Beatles and the ‘joke’ of it takes you out of the story when it happens.
  • To clarify, the Beatles don’t exist as the most iconic pop band of their generation, but the lads from Liverpool do exist, just as completely anonymous people living ‘normal’ lives. They never see the perks of fame, they never see the dark side of fame. You can probably take an educated guess where this goes. I won’t spell it out other than to say, it’s cute and idealistic, but still a little off putting.
  • I will spoil this since it has no real effect on the story: Lily Allen’s character dates a guy, when the A romance comes together, her live in boyfriend LITERALLY steps to the side with a smile and says something like ‘well those are the breaks mate.’ WHAT IS IT WITH DUDES IN RICHARD CURTIS MOVIES?!? Or is it English guys in general who are like this? Either you think love is this rare but magical thing that, if you’re lucky, happens a handful of times in your life (and thus you will deal with some type of devastation/heartbreak when it doesn’t work out), or you’re just ‘well maybe next time’ all the time which is not freaking love?!? I need answers.

With all my complaints, I still have to recommend this. The kid does a credible job covering most (not all) of the songs. Especially one of my all time favorites by any artist. Worth seeing (or getting the soundtrack).

Free time is always a question these days, but if not next weekend, I’ll be catching this movie as soon as I’m able.

Even to be much more of a John guy than a Paul guy, I have to admit I was never as crazy about this song as others. Maybe because the first version I heard was the Boyz II Men cover? Who knows.

But this is a nice cover. Even let him sing it at Abbey Road. OK…

What? No, I’m not jealous anymore. Really.

Also, me watching this…

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Enjoy!

This will be short (I think.)

I’m not going to try to name check everyone who helped me get to this point, cause someone would be left off.

What I will say, to both my ‘day ones’ (or whatever the kids are saying these days) and to the communities I’m here to represent: I’m one man, telling one story that comes from my experiences, but I’m also respectful of the opportunity and the platform (and the potential reach). I think every religion/spirituality has some version of ‘God does not place a burden on you beyond your ability to handle it.’ Whatever people have thought of my ‘potential’ over the years, this is happening now, I feel, because I’m truly ready for it.

Looking forward to you all seeing ‘1/30’.

Hope all had a good Father’s Day.

Everyone doesn’t have good relationships with their fathers. Some don’t have any relationship. Some do but it’s really toxic.

I have a great one. First of one of many good breaks I’ve caught in life, but probably the most important.

So I’m running back the ending from ‘Call Me By Your Name’ to start the week. I catch the ‘allergies’ every time. One of my favorite character actors working today. Great, mostly monologue lifted directly from the book.

Enjoy.

Obama opens this doc by saying ‘Some people are attracted to the power that is part of being in the spotlight, others work best behind the scenes. Clarence Avant is the latter.’ Truer words never spoken, cause 99% of the audience of this Netflix doc will surely have never heard of this man…

Like a shadow version of Quincy Jones, Clarence Avant has been in every part of entertainment (and politics) for decades (and of course him and Q seem to be best friends.) Unlike Quincy, there is no sense of flash about the subject of this doc (which has the perfect title). Can’t possibly go through every story mentioned in the two hours but a few of my favorites…

In the early 70s, Clarence got the heavy hitters of the time together for a benefit concert. That meant Sammy Davis Jr. got the call. The black crowd boo’d the hell out of him (this was shortly after he hugged Nixon). Sammy said his piece, performed ‘I Gotta Be Me’, and at the end the crowd was cheering again. Sammy is clearly touched. It’s a moment.

I’m old enough to remember the E.T. storybook narrated by Michael Jackson. Apparently that was done without getting clearance from all the parties, legally. But the guy everyone got along with was Clarence, he stepped in and got everyone on the same page. And Michael was so impressed, he asked Clarence to help him put together his first solo tour. Yes, the ‘Bad’ tour. I mean, come on…

Clarence was on board super early when a young man based in Chicago was rising in the Democratic Party. He was asked to speak at the convention, but not in prime time. Clarence fixed that. The rest is history. Even though Clarence really didn’t think that guy would really run the Presidency in a few years. But no one saw that coming. Even though Obama still teases him about it apparently…

Super educational, super informative journey through pop culture. Worth streaming.

‘Oh Allah, if you know this matter to be good for me in my faith, my livelihood, and the end result of my affair, then decree it for me, make it easy for me, and then bless it for me. And if you know this matter to be bad for me, my faith, my livelihood, and end result of my affair, then turn it away from me, and me away from it. Decree for me what is good, whatever it may be, and then make me satisfied with it.’ – Prophet Muhammad (pbuh)

I have a warm relationship with both of my parents in their twilight years. ‘I Love You Black Man’ is both a statement and a way to live among my inner circle. That feeling of ‘I got you, you’re not alone’ between myself and my allies in the Community is stronger than ever.

This has been the first year, where 24/7/365 I’ve met my own standard for who I aspire to be, as a Muslim, a Black Man, a world citizen. Insha’Allah (God willing) the first of many more years still to come. Many of you have picked it up in the way I talk, the way I carry myself: I will not lose my family, my friends, my allies, my people, or my reputation by doing something I know I shouldn’t be doing. Not anymore.

Even when everything in this country, in pop culture, in this specific life I’ve chosen, has been designed to turn me against my own identity and question my self-worth, every time I’ve gone (or been advised) to go over a line that had the very real potential of permanently turning me against the people I love, or the people who love me, I knew to stop. I’ve made references over the past couple of years of my struggle to understand my own fortune. Now the answer is obvious.

Faith. And this was the year my faith became absolute.

I’ll borrow from one of Malcolm’s signature statements to describe the full ownership of my Calling as I enter this Ramadan:

If I die, knowing I have left the vast majority of people who have crossed my path in a better place than I have found them; if I have made just one person looks at Muslims, and the religion of Islam, in a more positive light, than all the credit is due to Allah, the Lord of all the Worlds. Only the mistakes have been mine.

Sincerely,

Abdul-Malik Raushaun Abdul-Aziz

(Malik Aziz)

Ramadan Mubarak.

My words are coming Sunday night.

In the meantime, one of the Office homies just put this video in one of our chats. Good people man. Again, I’ll speak on that Sunday.

In the meantime, this PSA…

$1.2 Billion. You’ve all seen it by this point but as usual won’t be too detailed…

Someone half joked they should go ahead and give Kevin Feige the Thalberg at the Governor’s Awards this year (which is basically the Academy acknowledging someone has had a Hall of Fame career as a producer). It’s a funny line but I mean… he’s got to get it someday right?

We’ve all been trained to think of the great film series as trilogies (Star Wars, the Godfather, the Lord of the Rings, etc.) We’ve just witnessed a nearly universally agreed upon great film series told over TWENTY PLUS FILMS. It’s absurd. We’re all even conditioned now to not get up until after all the credits are rolled. They’ve changed the movie going experience.

As far as this film on its own, ‘The Dark Knight’ is the last time I remember everyone (film geeks, hardcore fan boys, casual fans, adults, kids) ALL being this happy with a sequel walking out of the theatre. The nitpicking can begin after repeated viewings, but as I started telling people Friday morning, ‘It’s as fast a three hour film as I can remember.’ From the first scene to the last, you’re in. The payoffs feel earned all the way through.

What’s really scary now is what’s next. The last ‘Skywalker’ film is coming out this year, and it’s lot of ‘Well OK’ right now. This generation of Star Wars is supposed to be ‘we have women and diverse leads now’ but the MCU can very easily take that thunder. DC seems to have found its way by finally saying ‘Don’t worry about a ‘Universe’; this is this story and sure we’ll reference other characters in this world from time to time.’ You’re telling me the next generation of Marvel films can’t start being true one-off stories (and probably do it much better with an already well established Universe)? My, my, my…

Genuinely looking forward to seeing it again in the theatre…