Tag Archive: judi dench




I’m not on Harvey’s payroll, but I tell you this: you could make a strong argument that the ‘Best Performance by an Actress in a Leading Role’ the past 12 months was done by Judi Dench.  I can’t help but wonder how much more we’d be talking about Dame Judi if she was out here kissing the babies and shaking the hands to the same degree some of her fellow nominees are.

Philomena is based on a true story of an Irish woman who loses her son to adoption at an early age, and with the help of a reporter (played by Steve Coogan brilliantly here) tracks him to America for a possible reunion.  Like probably all of you, I can’t remember movies without Judi Dench.  In recent years, she’s most famous for being M in the reboot of James Bond.  So carrying that ‘image’ end, it’s really incredible/enlightening to see her play funny and sensitive and charming (not that there was any doubt she could play it to be clear).  But this character is a departure from how we know her in big Hollywood movies as of late.

I don’t want to ruin the several twists and turns of the story if you haven’t seen it yet, but if you just want to see a good film about ‘real people’ dealing with a situation, this is one you should check out.  To borrow the phrase used by the journalists in the film, a very good ‘human interest’ film.

J. Edgar


I heard a lot of mild criticism when J. Edgar came out so I didn’t have my hopes real high when I finally got a chance to see it.  It’s not a bad film by any means, but against the best work of either Clint Eastwood or Leonardo DiCaprio, this film definitely falls into both men’s second tier.

The film tells the story of the rise of the F.B.I. and its controversial figurehead, J. Edgar Hoover.  This film isn’t an action flick by any stretch, so the sections about the Bureau (like the Lindbergh case) aren’t dramatically interesting until a third act revelation.  Like most character studies, this film revolves around the relationship the main character has with others.  In this case it’s Hoover’s relationship with his mother (an icy Judi Dench), and his ‘right hand man’ at the Bureau (played by Armie Hammer).  The real Hoover was supposedly a closeted homosexual, and where Eastwood’s film really shines is in exploring both why J. Edgar was repressed in his sexuality and even more telling, how living a secret life possibly opened the door to an obsession with other people’s secrets.  If you want to go all the way with it, does selling the world on one big lie make it easier to sell others (including yourself) on a hundred other smaller lies over the course of a lifetime?  It’s an interesting thought.

You can add me to the chorus of those who think Leo was miscast in this role, but can’t say it was a bad business decision.  Even with Clint’s pedigree, I doubt Warners would have signed off on Philip Seymour Hoffman playing the title character (but that would have been something!)