Midnight in Paris


First off, hope everyone had a nice New Year.  Now let’s get back to business…

As I watched Midnight in Paris, I appreciated the irony of this particular story.  A writer who spends quite a bit of time daydreaming about his idols finds a time warp that allows him to hang out with Hemingway, Fitzgerald, Gertrude Stein and company.  Some people have been hyping this film as Woody Allen’s best film in years (I disagree).   But I will say this film more closely ‘feels’ like Woody’s most celebrated films (such as Annie Hall and Manhattan) than anything he’s made recently.  So I wonder how many of the critics who’ve fawned over the film are overly nostalgic themselves for the Woody Allen films of the 70s and 80s?  Is he making a comment about his own career arc and fan base?  I don’t think so actually but it’s a sign of respect for the man that I’m even thinking about it and throwing it out there.

Led by Owen Wilson in the ‘Woody’ role, and featuring a stacked supporting cast including Rachel McAdams, Marion Cotillard, Kathy Bates, and Adrien Brody, the thing I took away the most from Midnight is that Woody still has ‘it.’  I know a lot of film lovers, but I know very few (I think) who still plan to be active when they get to Woody’s age, let alone put out high quality work.  That statement alone makes the film worth watching.

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