fences-denzel-washington-and-viola-davis

Woo…

The movie adaptation of August Wilson’s ‘Fences’ is fantastic.  Debatably the most well known play in the ten play cycle, Denzel directs the film version with virtually the entire cast in tact from the Broadway version that won him a Tony.

‘A Streetcar Named Desire’ came to mind a lot while I watched this.  Like that film, the camera doesn’t move a lot; from what I hear, there are going to be other films in the next couple of months that mesmerizing cinematography will come from.  You come to Fences for the great writing, and the great acting.  And you get it.  Without spoiling too much of the story for those unfamiliar, the audience I was in really turned against Denzel’s character by the end of the film (which is one of the best compliments I can give to one of the most admired actors of all time, period).  And Viola Davis?  Ma’am, I know you caught the short end of the stick the year we thought you would win for The Help, but that aside…

On the page, this is a supporting performance.  On the screen, naw.  And I’m really looking forward to seeing four or five other female performances this season that are genuinely in this league.

Here’s the crazy thing: my favorite performance in the film wasn’t even either of the two leads; it was Mykelti Williamson as Denzel’s brother.  He was only in a few scenes, but as they say, there are no small roles (especially when the writing is this strong…)

So yeah, Christmas release.  High, high, high recommend.

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