A few non spoilery thoughts on number 9 out of 10 from Quentin…
- This was his love letter to the LA he grew up in, and it shows. The atmosphere is before my time, but Hollywood and some of the specific locations played well (especially with the LA crowd I saw it with). The Dome, the Valley, even a freeway on ramp I take all the time, but seeing it in the movie was a very ‘Oh wow’ moment.
- Kind of crazy this is the first Leo/Brad collaboration. They reportedly want to work together again, and it shows on screen. Leo’s new school Methodness and Brad’s eternally laid back cool are perfect compliments. And in actor’s speak, for two of the guys of my lifetime to play actors who never came close to being ‘The Guy’; I’m sure that was fun.
- The Manson Family: Wasn’t ruined for me so I won’t do it for you. Even within the film, the suspense of how ‘that night’ played out was not overly telegraphed. It’s the most Tarantino sequence of the whole movie, and the way it plays with history is generally accepted. Tarantino rarely wastes words or elements in his scripts, so things that are set up early (that seem meaningless) do come into play at the end, and I had to nod at the craft a little.
Enjoyable if not great by his own standard.