Tag Archive: oscars 2010


 

(Due to our busy schedules, Aaron and I couldn’t do our prediction column as promised.  But since there was no way in hell either of us would miss the show live, here is our marathon conversation over IM.  Enjoy…)

MALIK: Welcome to the 1st Annual Art Fradieu Oscar Running Diary.  My pre-show thoughts: While I like to think it’s as much of a lock as anything, I still feel jittery Mo’Nique will somehow get jobbed out of the Best Supporting Actress Oscar.  Beyond that I’m hoping the Hurt Locker wins Best Picture.  Any pre-show thoughts Thomas?  Who will be wearing Vera Wang on the red carpet tonight?

ART: I don’t know much about Vera Wang, but I’m with you on Hurt Locker. Best film I saw last year. As for Mo’Nique, I think she wins Best Supporting Actress hands down. In fact, I think she wins it and does the emotional speech thing, “Uh Oh honey, if y’all start playing that music, somebody’s getting hurt…” She will steal the show and have people talking about her moment this week. “Mo’Nique is my hero. So soulful and real.” Wouldn’t surprise me at all. 

MALIK: And we’re off!  Cristoph Waltz wins Best Supporting Actor, no surprise there.  It was actually a good performance in a good film I have to admit.  But how about Penelope Cruz eh?  Is that accent real?  I’ve heard rumors…

ART: Waltz is no surprise at all. I agree, well deserved. As for Penelope Cruz, I’ve heard she’s actually from Cleveland. But, you never know.  Yeah. I agree with Up for best animated feature. First ten minutes of that movie almost had a brotha misty eyed.  Whatsup with that film Nine? Don’t think I’ve heard one good thing about it.

MALIK: Penelope Cruz brotha!  That’s all you need to know… And the Crazy Heart song wins.  So far this is a pretty predictable Oscars…

ART: Figured that was a crush of yours, but wasn’t even going there.

MALIK: (laughing)

ART: Yeah, definitely predictable so far. Does Crazy Heart sweep every musical category this year?

MALIK: Probably.  The movie wasn’t that bad actually.  The big question now is if Jeff Bridges continues to talk in the Oklahoma accent if he wins…

ART: I’m just trying to see if he’s sober.

ART: Wow. Actually thought Tarantino might pull out Best Original Screenplay.

MALIK: I did too.  Guess there aren’t as many Tarantino fanboys in the Academy as I guessed.  John Hughes gets his own In Memoriam?!?

ART: His generation is in power now in Hollywood.

MALIK: Yeah.  Jokes aside, he was either directly or indirectly responsible for A LOT of good movies…

ART: He had a great run.

MALIK: OK, watching this montage I see your point…

ART: And, here comes that song…

MALIK: WHOA!  Young Alec Baldwin!!! (laughing uncontrollably)

ART: Yup. Him and Steve Martin worked in Hughes films.  Brat pack. Plus Culkin.

MALIK: So…is this a ratings ploy or an Academy tribute?

ART: I guarantee people will be talking about this tomorrow. Just seeing people from their childhood. The answer? It’s both.

MALIK: Am I the only one who noticed the crowd seemed to refuse to throw down the standing ovation?

ART: I saw that too. Part of the perception with Hughes is that his works were more entertainment than art. What’s the verdict on Zoe Saldana?

MALIK: Looking at Zoe makes me want to eat dinner.  Great intro for the Short Film category though.

ART: Nice to hear from seasoned pros looking back. Whoa. Brotha sighting.

MALIK: A brotha wins!!!!  And he gets cut off!!!!

ART: Why is this woman bogarting?

MALIK: (laughing uncontrollably)

ART:  And, what is she talking about?  Brotha probably hot!

MALIK:  MANNNNNNNNN!  I’m still mad for the brotha who got cut off!

ART: Same here. Leave it to Stiller to do blue face. Think Cameron is ticked at this?

MALIK: Doubt it, but is there any doubt Stiller officially gets invited to present every year now?  You remember the Joaquin Phoenix move last year…

ART: So, Star Trek takes this one, you think?

MALIK: I still heard a little Crazy Heart accent in Jeff Bridges.  Yeah Star Trek deserved that last one.

ART: So far, early on, the highlights of the night? Brotha gets cut off and Tina Fey/Downey Jr.

MALIK: Best Adapted Screenplay – What say you Mr. Writer?

ART: It’ll be interesting to see who wins Best Adapted Screenplay.  Not sure. Probably Up In The Air, but there was a debate as to how well the co-writers (one was the director of the film) got along during the process.

MALIK: Really?  We’ll talk about that one off the record – no need to give these plebians all the inside Hollywood magic.

ART: Oh. Precious. Black screenwriter. Nice.

MALIK: Go ahead brotha!!!  A behind the scenes win at that!

ART: Nice to see this. He’s gotta be the first black screenwriter to win. Nice.

MALIK: Yeah, and the way Rachel McAdams can’t take her eyes off him motivates me.

ART: Yup, figures…

MALIK: Very sincere acceptance speech.

ART: That’s the word that comes to my mind.  Good moment.  Queen Latifah’s looking good.

MALIK: Yeah she cleans up well. The Governor’s Award ceremony is like a wet dream for film buffs like myself.

ART: Yeah. Each of those is a giant of the industry to say the least. They all get standing ovations from everyone.

MALIK: Damn straight!  And Penelope and Javier keeping it real!

ART: Get ready for Mo’Nique to get emotional.

MALIK: Standing O?

ART: Mo’Nique walking with regalness.  Nice speech.

MALIK: Gut reaction but I think that was the best acceptance speech by a black winner.

ART: Succinct. To the point. Sincere.  Ah. You can always depend on the costume category to give an Oscar to the old English movie of the year.  Eh. Least sincere speech of the evening.  “I already have two of these awards. This is for the little people who never win.”

MALIK: (laughing)  Seriously!  How arrogant was that!?!  So what do you think of Twilight brotha?  I know you’ve seen it.

ART: Haven’t seen it.  The Vampire thing never gets me like others.

MALIK: Wait…a horror tribute, introduced by the Twilight kids?  Definitely ratings ploy.

ART: Yup. What you know about a young Johnny Depp in Nightmare On Elm Street?

MALIK: I honestly don’t like horror films, only the all time classics like the Exorcist and Psycho.

ART: Same here. Those actually scare you instead of shock you.  They got Morgan Freeman doing the narration again?  Here’s your Dark Knight…

MALIK: Needless to say, this is the greatest moment in the history of the Academy Awards…

ART: Alright Batman, calm down.

MALIK: So you think Precious has a chance now for Best Picture?

ART: Not really. I still feel like they’ll lean toward Hurt Locker. Getting the Adapted Screenplay was an upset for Precious.

MALIK: We’ll see brotha, we’ll see…

ART: The Hurt Locker is starting to collect the awards now.

MALIK: Very true.

ART: Paul N.J. Ottoson kind of looks like an albino Vampire with that hair.

MALIK: Yeah, kind of stereotypical to have that be the ‘sound guy’ isn’t it?

ART: Like he’s been in a cave only working with sound for an entire year.

MALIK: Really! Avatar for best cinematography, that was probably the biggest lock.

ART: Yeah. The film looked great.  What you know about CCH Pounder with the general from Avatar.  Is that her guy?

MALIK: Don’t know, don’t know…  ah, here comes the In Memoriam.  I can’t joke with this part.

ART: My mom is a James Taylor fan. Always perfect for reflection.

MALIK: Surprised they opened with Swayze.  Well done. No giants like Paul Newman passed this year.

ART: Of course, there’s Mike, but it’s not quite his stage.

MALIK: Yeah as far as ‘Hollywood’ goes he was more a fan than anything else.  Not surprised they included him though.

ART: Malden, Swayze and Dom Deluise seem to be the biggest this year.

MALIK:  I haven’t seen white girls with this much soul since the Sprite Step Off.  Too soon?

ART: (laughing) You gonna be hunted down by every Essence reader in America.  Nice overall dance piece, though.  Huge fan of scores. These were all solid.  Up was a classic. Glad it won for score. I also like Sherlock’s music. Avatar sounded like recycled music from Glory (remember that?)

MALIK: (laughing)  That was my first wrong pick tonight.  My gut said Up though.  And if people don’t know this is tongue in cheek, they should have stopped reading a long time ago.

ART: Avatar won for special effects?  That’s crazy.

MALIK: (laughing)

ART: Precious should have got that.  Best Director is up next. You figure that Reitman and Tarrantino think they don’t have a chance against a woman, an African American and the king of the world, Cameron.

MALIK: Yeah.  I’ll be genuinely disappointed if the cougar doesn’t win now.

ART: She’s got it. But, since you bring it up. If Bigelow looked like an average above 40 year old woman, think she’d be nominated?

MALIK: First thing I’m not responding to in order to protect my future career opportunities.

ART: You done said enough, brotha…

MALIK: (laughing)

ART: Best Editing for Hurt Locker. I’m thinking 90% chance of Best Picture.

MALIK: If Bigelow wins, yeah…

ART: Oh, she’ll win… She’s your new cougar crush, right?

MALIK: (laughing) Settle down, brotha, settle down.  I’m gonna have enough explaining to do when this column is over. Esoteric group to present this (Best Actor).

ART: Yeah. It’ll be interesting to see how they relate to each actor.

MALIK: Love Michelle’s speech about family and career.  What we aspire to.

ART: And, it’s a challenge for many people in many walks of life.

MALIK: Yes sir.

ART: Ok. Shawshank.

MALIK: Yeah good anecdote.

ART: Nicely done, Tim Robbins.

MALIK: Yeah, and SWAT?  I’ve watched that.  I’ll leap out of my seat if Jeremy wins.

ART: He’s not winning, but it’s nice to see him there. I remember when Renner was “the guy” I saw in every other commercial. By the way, using other actors to introduce the nominees is still a great way to do it.

MALIK: Agreed. It’s crazy Bridges got his first nomination 6 years before we were born.

ART: Jeff Bridges.  No surprise there. The Bridges, a very underrated Hollywood family.

MALIK: Agreed once again. The Thomases will get there soon enough though.

ART: (laughing)  If my kids are crazy enough to try this line of work, I’ll support them and wish them well.  Been married 33 years in Hollywood? That might be the most amazing thing I’ve heard all night.

MALIK: (laughing)

ART: Forrest always sounds sincere, even if he’s ordering a burrito.

MALIK: I was thinking the same thing.  How does he get villain roles?

ART: The lazy eye. Does it every time.  These are nice speeches.  The best things about these intros is the reaction from the nominees. And, you can tell they have no idea what will be said.  What better intro to have than Oprah?

MALIK:  You were reading my mind. I think Oprah would be the number one choice to do an intro in our industry.

ART: If/when I have to intro you, I’ll start with “Malik used to dress like Batman, but… actually, he still does…”

MALIK: Is that right brotha?  well… If/when I have to intro you, I’ll start with “Aaron is a great writer, but if he asks you to help him move, know you won’t be getting a dinner out of it.”

ART: I’ll look at the camera and go “That’s right!”

MALIK: (laughing)

ART: Is Sean Penn drunk?

MALIK: OH YEAH!

ART: Sandra…Bullock…

MALIK: You can’t leave Sean Penn backstage that long without libation, brotha…

ART: Sandra Bullock’s always been pretty down to Earth.

MALIK: Yeah I met her when we were in school.  I guess I can say I’ve met an Oscar winner now.

ART: Aren’t we all hoity toity? I met Clarence Jenkins, the guy who buffs the Oscars…

MALIK: Oh no, the husband was tearing up!  Eric Benet Part II

ART: We all know what happened after that, though.

MALIK: Bigelow’s winning…

ART: Yeah, you got Barbara presenting… AND, she led off with it being a woman….

MALIK: What if she would have said, “Or, for the first time, a colored…”

ART: (laughing)  Cut to the Tyler Perry section looking angry.

MALIK: Oprah probably would have walked back onstage…

ART: Well, well, well…  Bigelow wins. And Cameron made sure to cheer loudly.  Good stuff.

MALIK: Yeah. When my daughter tells me she wants to be a director, I’ll be able to look back at this night.

ART: So, here we go. The big one. Best Picture.  Hurt Locker.

MALIK: Right to the Point!

ART: Like it.

MALIK: Alright I think we got it.

ART: I like Bigelow, but she’s a little overhwelmed up on stage.  Cool. Until next year.  That’s a wrap.

Inglorious Basterds

 

This one’s been out for a minute, but with the Oscars next weekend I made a point to check out Inglorious Basterds tonight.  I’m not a Tarantino fanboy, but as a film fanatic that man’s craftmanship cannot be denied.  The two Kill Bill movies are still two of my favorites of the past ten years.  I’ve heard a few references to Basterds being Tarantino’s best film…I don’t know about that, but it might be his definitive film.

Like I said, not a fanboy, but one thing I’ll give the man is that he’s created his own motifs over his career that you recognize no matter what story he’s telling: Samuel L. Jackson cameo, feet closeups, a cringe-worthy use of the word n!gger (spoken by Joseph Goebbels no less!), and fantastic, fantastic dialogue sequences.  As flat out silly as this film is in premise (is there such a thing as Jewspoitation?), there are some great scenes of dramatic tension and throwaway dialogue that will (sadly) inspire more copycats and second rate storytellers who will try to mimic his style moreso than create their own.

Christoph Waltz was fantastic.  He looks to be the favorite to win the Best Supporting Actor Oscar, and he wouldn’t be the most unworthy winner.  Not that I expect him to be anything like the character he played, but he certainly made playing the Nazi looked like fun!  I think Tarantino knows this isn’t his year as far as Best Director or Best Picture goes, but give the devil his due, when people complain there aren’t enough ‘entertaining’ movies being made these days, you certainly can’t blame him, can you?

Crazy Heart

 

Crazy Heart tells the story of an alcoholic, washed up country singer who is inspired to try for one last chance at redemption.  In the lead role, Jeff Bridges comes off as more than believable in the lead role of the singer whose real name we only hear briefly in the third act.  As me and my friend joked on the way out, you almost forget that he’s the son of a Hollywood legend in his own right (and not somebody who grew up in Texas or Oklahoma).  Almost.  As far as Maggie Gyllenhall goes, this is the perfect type of role for her.  I was pleasantly surprised to find out when I got home that she’s also nominated for her performance in this movie.  Well deserved.

As far as the film itself, it takes me back to the 70s in terms of the style of filmmaking.  A first time writer and director probably helps; I couldn’t help but smile to see Robert Duvall prominently involved, both in a supporting role in the film, as well as being one of the producers.  There’s another star in this movie who’s not advertised in the promos; he’s a good actor but feels miscast in this film; I won’t ruin it for you if you haven’t seen it.  Like Duvall, he also only appears in a few scenes.  But this is Bridges’ movie.   He won the Golden Globe for his performance; if he takes home the Oscar too, it won’t be surprising. 

ART

 

Alright gang, my special guest for this year’s Oscar predictions is Aaron Rahsaan Thomas.  For those of you who don’t know him or haven’t met him, here’s a quick bio: Born in Kansas City, Kansas, two years at Morehouse and then graduated from the University of Kansas, masters from the University of Southern California Film School.  Everyone assumes we’ve been aces since kindergarten (perfect Hollywood cliche), but the truth is we met the year we graduated from KU.  Not counting the 200 million side joints we’ve cooked up over the years, Thomas was the writer of peeping tom ( my USC grad project) and a producer on my last short Lady In My Life.  He’s also built up a pretty nice Hollywood resume over the years: Soul Food, Cover, Friday Night Lights, Numb3rs, and now CSI: NY.  As a matter of fact, he wrote and produced this week’s episode featuring Danica Patrick (premiering tonight (Wednesday)) on CBS.  In the pic above, Aaron is on the right of Danica, the cat on the left is the director, Matt Earl Beesley.

So those are the basics.  For those who haven’t experienced the ‘Art Fradieu’ style, you’ll get to check it out once we start our Oscar preview shortly…

In the meantime, support my ace and watch his episode of CSI:NY tonight!!!

Return of the Macks!

 

Those of you who have followed my path for years know that, especially during Oscar season, I’ve done tongue in cheek Oscar previews with my frequent colloborator, Aaron Rahsaan Thomas.  Me and Thomas have been chatting the past few days; we’re going to bring the Art Fradieu 2010 Oscar Preview here over the next few weeks.  While the YouTube version we did was by far the most popular, it’s probably unlikely that we’ll be able to coordinate our schedules in the next month to recreate that this year.

So come back here leading up to the ceremony next month to get our picks for the major categories…

A few different things going on as 2010 gets into full swing…

For those of you who come by for the film reviews, I’ve been invited to post my reviews on 7tavern.com.  A relatively young site like this one; their angle revolves around gathering the reviews from bloggers like myself in all types of formats.  I look forward to the opportunity to expand my own base, and yes, I’ll still be posting my reviews here.

Speaking of films, those of you who’ve kept up with me for awhile probably remember that during Oscar season my old partner and I would do a unique “Oscar Prediction” type special where we picked the winners (and threw in our particular sense of humor).  I talked with him last night, and he’s down to do some form of the prediction show again this year, so look for that after the nominations are announced. 

I don’t think I’ve mentioned this within this space, but a story I started writing as a teenager but could never finish…well I’ve finished it.  The story at least.  My ‘James Cameron’ esque piece, a little sci-fi, a little supernatural.  The question for me now as an artist and a producer is what format to tell the story in: is it a comic book? a video game? a novel? a TV series? a web series? a feature film?  all of the above?  something else entirely?  The next step for me is writing the treatment, and I’ll see where it goes from there.

Lady In My Life:  it’s been noticed and played in some nice places on both coasts; this year I really plan to put my foot in and get it seen in as many places as possible.  As I get more dates I’ll post them here.

I’m putting together a nice streak of productivity at the moment.  Simplifying my desires has made it easier for me to set daily goals and stay in the present moment.  Rome wasn’t built in a day as they say, but it was built.  I’ll let you know how it goes.