Tag Archive: oscars 2012


Some of the marketing I’ve seen for Undefeated has said it’s one of those movies that makes men cry.  If you’re a regular reader here, you already know that I didn’t cry.  But I will admit there were a couple of moments in the film where my allergies really started acting up…

This year’s Oscar winner for Best Feature Length Documentary follows a season with an inner city football team in Memphis, Tennessee. If you’ve seen your fair share of sports documentaries over the years, you know what you’re getting into here in terms of the story arc: the coach who cares more than he probably should, the superstar talent who’s going to have trouble getting into college (theoretically) because of his grades, the kid whose entire life revolves around football, then he gets injured.  Hell, if you’ve seen Hoop Dreams, The Blind Side, Friday Night Lights (movie and/or TV series), or some of ESPN’s ’30 for 30′ docs, you know the storylines you’re getting into.  So does the predictability aspect make it less enjoyable?  Not at all.

While this may or may not work in a fictional sports film anymore (a debate for another time), knowing these are real people with real stakes keeps the drama high throughout.  The best compliment I can give this documentary is that by the time the team gets to the playoffs, whether the team wins or loses becomes almost an afterthought.  At that point, the audience is completely invested in the future lives of this coach and these kids.  Well done.

The next post Sunday night/Monday morning will be staying in this genre.  Can’t say enough about how much I’m looking forward to the ’30 for 30′ doc about Magic Johnson’s HIV announcement.  Until then, here’s the trailer for Undefeated:

2012 Oscar Wrap Up

So we had technical difficulties, so if you weren’t keeping up with me on Twitter, you didn’t get my thoughts (sorry).  A few post game feelings though…

  • You all know how much I’m a fan of Clooney, so I was genuinely surprised/amused at the disgust and hate when he didn’t get the Best Actor award.  That one didn’t surprise me at all, but like with Best Picture, some of you clearly are against ‘the Artist’ being acknowledged as the ‘best’ of the year.  Well hey, to each its own I guess.
  • Billy Crystal wasn’t the worst, but man there were some deaaaaaaaad spots at certain points of the show.  I think overall though, things went smoothly.
  • The ‘In Memoriam’ section was the single best part of the show to me personally. There wasn’t any doubt in my mind that Elizabeth Taylor was getting the last mention, but even her part was only 10 seconds at the most.  Well done.
  • A few years back I started saying anyone who wanted to make the argument that Meryl Streep is the best film actor ever (over Brando, Deniro and Pacino even) would get no argument from me.  But I still feel for Viola, that had to be rough sitting there.
  • Overall, decent show.  Now we can look forward to next year…

Alright, let’s look at the biggie:

Best Picture

  • Who I Want to Win: Hm.  Good movies this year, but nothing that feels like ‘I’ll stop whatever I’m doing when this comes on cable next year’.  I’d say ‘Moneyball’ but now I want to pull a ‘reverse jaded’ move (yep, made that word up) since Pitt was there after the screening to charm us up.  So let’s say ‘Hugo.’
  • Who Should Win:  To steal a phrase I’ve heard Bill Simmons say, ‘When we look back at the past 12 months, what’s the movie historically that we’ll say, ‘Oh yeah, that was what happened in 2011?’  And the answer is ‘The Artist’, right?
  • Who Will Win: Yep, ‘the Artist’.

Last note for the weekend, you can expect the rare weekend post from me since it’s going to be Oscar Sunday.  I talked to my partner in crime today, and he’s down, so at the moment we plan to do one of our Martin & Lewis style, ArtFradieu live running commentaries of the show Sunday.  Hopefully the All-Star Game will be over by then!

Anyway, for some politically incorrect, bridge burning comedy, come back Sunday night!


Today we look at the ladies…

Best Actress in a Supporting Role

  • Who I Want to Win: I might get outcast for saying this, but being partial to comedy anyway, I thought Melissa McCarthy stole every scene in the best comedy that came up last year.
  • Who Should Win: She’s kind of been the black sheep as far as awards season goes, but Berenice Bejo more than carried her share of the weight in the film everyone’s been jocking this year (‘the Artist’.)
  • Who Will Win: no reason to think the Oscar won’t go to Octavia Spencer at this point.

Best Actress in a Leading Role

  • Who I Want to Win: I can’t penalize Viola for whatever feelings I may or not have for ‘the Help’ as a movie.
  • Who Should Win: There’s an argument to be made for Meryl (as always), but I’ll say Viola should win it.
  • Who Will Win: Hear me out; it won’t happen, but what if Meryl and Viola somehow split the vote and Michelle Williams sneaks in for ‘My Week With Marilyn’? It’s a performance people seem to like, it just came out on the ‘wrong year’ as they say.  Just throwing it out there…

Tomorrow, breaking down the actors…


Let’s start the run toward this year’s Oscars with a look at a few behind the scenes categories:

Best Adapted Screenplay

  • Who I Want to Win: Don’t really have a dog in this fight, I think they were all pretty well written.
  • Who Should Win: I’ll lean toward ‘Moneyball’ here as the least cinematic idea (building a baseball team with statistics) and turning it into a good film.
  • Who Will Win: I think this is the first of many awards that the Descendants will be taking home.

Best Original Screenplay

  • Who I Want to Win: ‘Bridesmaids’.  Hard for comedies to get props with this group as it is. Kind of surprised it got a nomination to be honest.
  • Who Should Win: The most purely original idea to be honest was ‘the Artist’, but I’d defer to one of my screenwriting friends to tell me if the screenplay was up to snuff.
  • Who Will Win: I think Woody gets some love here…

Best Direction

  • Who I Want to Win: The hardest film (in my opinion) to direct was ‘Hugo’ by a landslide, so I’d say Scorsese.
  • Who Should Win: I’ve said it before but this is as strong a top five as I can remember.  Now if we’re talking personal preference, don’t get me started on ‘Tree of Life’…
  • Who Will Win: Probably the director of ‘the Artist’. Probably…

Tomorrow we’ll cover the Actress categories…


Some quick thoughts on this morning’s nominations…

Best Picture – 9 films, wow.  I called 6.  Extremely Loud and War Horse haven’t been on my ‘must see’ list, but now I feel obligated…

Best Actor – Gary Oldman, it’s about damn time!!!!! (yes I’m biased, been a fan for decades before he played Commissioner Gordon).

Best Actress – The Globes have made this more interesting than we thought it would be. Viola or Streep?  I guess we’ll see…

Best Supporting Actor – Very eclectic list, I just got around to seeing Warrior last week so it’s nice to see people remembered this movie and Nick Nolte.

Best Supporting Actress – Pleasantly surprised for Melissa McCarthy, she really did steal Bridesmaids out from under a great cast of comediennes.

Best Director – What a list!!!!  And the crazy thing is the favorite is the only name who’s not already a Hall of Famer!

Best Screenplay – Combining the two categories to ask the question, will Woody show up for a group of his most loyal fans?

Actual predictions coming as we get closer…

So the last thing I did this weekend was go out and see Red Tails for myself.  I thought it was cool; not the ‘savior’ for black cinema but also definitely not anything that set ‘the movement’ back a hundred years.  The box office numbers came in well, which I think was the one thing everyone who had an investment in this film really wanted in the first place.

Whether you want to point the finger at Lucas or not, one thing I will say is that it’s been awhile since I’ve seen so many people express an opinion about a black film before it was released. As I told a friend today, the ‘conversation’ this film produced has been as worthwhile as the film itself. So now that the dust has settled so to speak, where do we go from here? Let’s pick apart some of the things that came up.

‘The future of black cinema is/was at stake.’ Um, no.  My cynical side has to answer this one, but (like most Hollywood movies), anything short of record breaking numbers just means we’ll eventually get back to the status quo.  Which means the next ‘big budget’ Hollywood film about black folks will come out…whenever another billionaire with a heart of gold decides to finance one.  If I can go full Devil’s Advocate on you, I could make the same argument about nearly every decent drama, every film with a female protagonist that isn’t a romantic comedy, and on and on.  The system as it is currently setup is Franchise/Tentpole or Bust.  Before the screening I went to, there were trailers for the next Tyler Perry film and Battleship. Yes, ‘You sank my Battleship!’ Battleship.  It’s the world we live in.

So does that mean the audience should give up?  Not at all. Actually, in some ways the game has gotten better.  I remember when ‘Daughters of the Dust’ came out, I heard about for a few years before, and eventually, my public library had a copy that I was able to check out.  Conversely, thanks to these here interwebs, when a black project has great word of mouth (like the Awkward Black Girl series that I was late to the party on but enjoyed), we have YouTube and KickStarter to view and support the projects we want to see almost instantly.  As a result of the system going in more of a corporate direction, the next group of filmmakers are coming out of the gate saying “Eff it!”  I know there’s no way you’ll develop a film like Pariah, so we’ll find our own means to make it and get it to the masses.  Like everything else in life, Hollywood goes in cycles, and there are more than a few signs to suggest we’re about to have a redo of that early 90s feel:  ‘We’re telling our stories for our audiences, Hollywood can make all the crap movies they want’.

So I guess we’ll all see where it goes from here.  Oscar nominations come out in the morning, this discussion may continue sooner as opposed to later…

The Artist

I’ll say this upfront; I won’t be remotely surprised if this wins Best Picture next year.  It’s not exactly a genre, but Hollywood loves a well done film about ‘the making of Hollywood’. Sunset Boulevard, Singin in the Rain, and the list goes on.  “The Artist” makes fairly direct references to these and other films. That’s not meant to be a slight at all; this film is probably the most charming movie I’ve seen since Slumdog Millionaire.

Released as a black and white film, and driven by a great sound design, “The Artist” tracks the end of the silent film era and the birth of ‘the talkies’ through its two main characters: the Douglas Fairbanks-esque George Valentin, and up and coming starlet Peppy Miller.  The love story of the film is fairly straight forward; the appeal of ‘The Artist’ comes from three great performances (yes, I’m including the scene stealing dog), a good concept, and exceptional execution.  The fact that it was made by a French director doesn’t hurt either.  Again, not a crack, just saying that it adds to the film’s ‘exotic/outsider’ appeal.

This one was fun to watch, I’m sure we’ll be talking about this one again in a couple of months…



What up?  So kudos to you first for taking on the job on such short notice.  You’ve got the pedigree the Academy likes, and at this point, I don’t think anyone has any expectations for next year’s show.

So having said that, I think this year is the perfect opportunity to do something drastic. And by being drastic, I mean give the hosting duties to me.  I’ve thought this through and I will give you my reasons why I’m the perfect host this year…

1. I like damn good in a tux.

I mean seriously, look at me!

2. I’ve been doing Oscar preview/live blogs for the past five years.

Going back to our film school days (maybe earlier), my partner in crime and I have used the interwebs to offer predictions and last year running commentary on the show, so it’s not like I won’t be watching anyway.


3. I’m cool with ‘this’ Establishment.

My generation of young actors, writers, directors, producers, etc. are coming up so you’d get to keep that ‘we’re still hip’ vibe that Eddie and Brett were giving you.

4. I keep my private affairs to myself.

So no talk from me about my gigantic balls or what 70s group my genitalia are named after.  But having said that…

5. I’m down for a little bad publicity.

But only on a short term basis, and only if we’re clear the endgame is to drive more eyeballs to the show. I’m single, Kim Kardashian is single; I’m just saying…

6. I’m a genuine film geek.

I have the respect for ‘Old Hollywood’ that I think is mandatory for the job.  And in my particular case I know the history of those who came before me, from Sammy to Whoopi to Chris, and the historical part of that turns me on. And it’s going to be a little weird if Viola Davis is the only black person in the Kodak Theatre.

7. I’ve been vocal about my support for gay marriage.

So you’d be getting someone who’s gone in the complete opposite direction from the little fiasco that got the last guy fired.

8. I’m an award winning producer/director/actor who has hosting experience.

And my writing team works cheap to boot!  Here’s a joke I was just handed:  “So this Herman Cain fella? This week one of his accusers says that he grabbed the back of her neck and said ‘You want the job right?’ during her sexual assault.  When asked for comment, former President Clinton said, ‘I like a blow job as much as the next man, but if that’s your modus operandi, you are NOT qualified to be the President of the United States!”

(Hm, you’re right. That’s more of a Golden Globes joke, than an Oscars joke isn’t it?  I’ll fire that writer.  Let’s table that one for now…)

9. It’d be a Full Circle/Small Town Moment

One of the first gigs I ever had in this town was working for Imagine Entertainment as a researcher for your Hugh Hefner project.  You paid me to go to the Playboy Mansion everyday, so really, as a man, I’m already in your debt.  There’s a lot of jokes there, but I’m saving them for the monologue.  And finally…

10. I’d Genuinely Be Happy to Have the Gig

And that should mean something right?

Eddie at the Oscars


A week or so of rumors became official today when Eddie Murphy was named the host of next year’s Academy Awards telecast.  To one generation, Eddie is Donkey from Shrek and Norbit (sigh), but to my generation, Eddie was OUR stand up idol.  Richard Pryor was the pioneer, Chris Rock and Dave Chappelle are multi-talented guys who probably prefer stand up, Kevin Hart is the present and future, but none of the above guys matched Eddie Murphy at his absolute apex. And they all probably idolize Eddie enough to agree with that statement.

I’ve heard more than once that Eddie wanted to get back into standup but once he became ‘Eddie Murphy’ it just wasn’t happening.  So whatever we end up getting next year, (and I don’t want to get my hopes up too high) we should probably just enjoy it.

 I’ve always been in the minority in my crew for having ‘Eddie Murphy Raw’ memorized instead of ‘Delirious’, but you couldn’t go wrong with Eddie at this stage of his career.  This is one of the cleaner bits from the two stand up movies: